Atjaunināt sīkdatņu piekrišanu

E-grāmata: Iteration: Episodes in the Mediation of Art and Architecture

Edited by (Courtauld Institute of Art, UK)
  • Formāts: 210 pages
  • Izdošanas datums: 08-Apr-2020
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429688157
  • Formāts - PDF+DRM
  • Cena: 47,58 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 210 pages
  • Izdošanas datums: 08-Apr-2020
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429688157

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

This edited volume considers the ways in which multiple stages, phases, or periods in an artistic or design process have served to arrive at the final artifact, with a focus on the meaning and use of the iteration. To contextualize iteration within artistic and architectural production, this collection of essays presents a range of close studies in art, architectural and design history, using archival and historiographical research, media theory, photography, material studies, and critical theory. It examines objects as unique yet mutable works by examining their antecedents, successive exemplars, and their afterlives—and thus their role as organizers or repositories of meaning. Key are the roles of writing, the use of media, and relationships between object, image, and reproduction. This volume asks how a closer look at iteration reveals new perspectives into the production of objects and the production of thought alike.

Written by an international team of contributors, offering a range of perspectives, it looks broadly at meaning and insight offered by the iteration—for processes of design, for historical research, and for the reception of creative works.

Recenzijas

"The book posits iteration as a motor for artistic creativity and imagination. Essays covering various media make us see works of art in constant motion, repeating, and reproducing existing forms and re-envisioning new ones in their wake. An essential book for designers, design educators, and design historians one that inspires to envision art as part of trans-medial flows and larger historical processes. Inspiring!"

Eeva-Liisa Pelkonen, Yale University "The book posits iteration as a motor for artistic creativity and imagination. Essays covering various media make us see works of art in constant motion, repeating, and reproducing existing forms and re-envisioning new ones in their wake. An essential book for designers, design educators, and design historians one that inspires to envision art as part of trans-medial flows and larger historical processes. Inspiring!"

Eeva-Liisa Pelkonen, Yale University, USA

"Provides several well written and transmutable models for locating the distinction between authorship in art, authorship in architecture, and authorship in design." Excerpt from https://www.jaeonline.org/articles/review/iteration#/page1/

Peter Christensen, University of Rochester, USA

"Schuldenfrei, whose editorial prowess shines throughout the episodes, correspondingly points to her volumes intention to further debates and initiate critical engagements. The disciplinary range of contributions and their respective contact zones with media, science and technology thereby proffer the propagation of examinations beyond the design field."

Clemens Finkelstein, Princeton University, USA

Introduction vi
Robin Schuldenfrei
1 Managing Iteration: The Modularity of the Kew Herbarium
1(24)
Zeynep Celik Alexander
2 A Spiraling History of Architecture
25(24)
Michael Gnehm
3 Bernhard Pankok's Graphic Iterations
49(22)
Peter H. Fox
4 Iteration of the Non-iterative: Revaluation and the Case of Laszlo Moholy-Nagy's Photograms
71(34)
Robin Schuldenfrei
5 Sonia Delaunay: Media or Message?
105(16)
Kathleen James-Chakraborty
6 Simon Hantai after Phage
121(20)
Molly Warnock
7 In and Out of View: Reflections on The Vessel
141(13)
Mike Ricketts
8 The Image as Iteration
154(22)
Peter Sealy
Coda: The Interchronic Pause and the Temporality of Iteration 176(6)
Timothy Hyde
List of Contributors 182(3)
List of Image Credits 185(3)
Index 188
Robin Schuldenfrei is Katja and Nicolai Tangen Senior Lecturer in 20th Century Modernism at The Courtauld Institute of Art, University of London. She has written widely on modernism as it intersects with theories of the object, architecture and interiors. Her publications include Luxury and Modernism: Architecture and the Object in Germany 1900-1933 (Princeton University Press, 2018) as well as numerous articles, essays and the two edited volumes: Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture (2012) and, co-edited with Jeffrey Saletnik, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism (2009).