Atjaunināt sīkdatņu piekrišanu

Iteration: Episodes in the Mediation of Art and Architecture [Mīkstie vāki]

Edited by (Courtauld Institute of Art, UK)
  • Formāts: Paperback / softback, 198 pages, height x width: 234x156 mm, weight: 400 g, 91 Halftones, black and white; 10 Illustrations, color; 91 Illustrations, black and white
  • Izdošanas datums: 03-Jun-2020
  • Izdevniecība: Routledge
  • ISBN-10: 1138392480
  • ISBN-13: 9781138392489
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 54,71 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
Iteration: Episodes in the Mediation of Art and ArchitecturePalielināt
  • Formāts: Paperback / softback, 198 pages, height x width: 234x156 mm, weight: 400 g, 91 Halftones, black and white; 10 Illustrations, color; 91 Illustrations, black and white
  • Izdošanas datums: 03-Jun-2020
  • Izdevniecība: Routledge
  • ISBN-10: 1138392480
  • ISBN-13: 9781138392489
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781138392489.html
Keywords:

This edited volume considers the ways in which multiple stages, phases, or periods in an artistic or design process have served to arrive at the final artifact, with a focus on the meaning and use of the iteration. To contextualize iteration within artistic and architectural production, this collection of essays presents a range of close studies in art, architectural and design history, using archival and historiographical research, media theory, photography, material studies, and critical theory. It examines objects as unique yet mutable works by examining their antecedents, successive exemplars, and their afterlives—and thus their role as organizers or repositories of meaning. Key are the roles of writing, the use of media, and relationships between object, image, and reproduction. This volume asks how a closer look at iteration reveals new perspectives into the production of objects and the production of thought alike.

Written by an international team of contributors, offering a range of perspectives, it looks broadly at meaning and insight offered by the iteration—for processes of design, for historical research, and for the reception of creative works.

Recenzijas

"The book posits iteration as a motor for artistic creativity and imagination. Essays covering various media make us see works of art in constant motion, repeating, and reproducing existing forms and re-envisioning new ones in their wake. An essential book for designers, design educators, and design historians one that inspires to envision art as part of trans-medial flows and larger historical processes. Inspiring!"

Eeva-Liisa Pelkonen, Yale University "The book posits iteration as a motor for artistic creativity and imagination. Essays covering various media make us see works of art in constant motion, repeating, and reproducing existing forms and re-envisioning new ones in their wake. An essential book for designers, design educators, and design historians one that inspires to envision art as part of trans-medial flows and larger historical processes. Inspiring!"

Eeva-Liisa Pelkonen, Yale University, USA

"Provides several well written and transmutable models for locating the distinction between authorship in art, authorship in architecture, and authorship in design." Excerpt from https://www.jaeonline.org/articles/review/iteration#/page1/

Peter Christensen, University of Rochester, USA

"Schuldenfrei, whose editorial prowess shines throughout the episodes, correspondingly points to her volumes intention to further debates and initiate critical engagements. The disciplinary range of contributions and their respective contact zones with media, science and technology thereby proffer the propagation of examinations beyond the design field."

Clemens Finkelstein, Princeton University, USA

Introduction vi
Robin Schuldenfrei
1 Managing Iteration: The Modularity of the Kew Herbarium
1(24)
Zeynep Celik Alexander
2 A Spiraling History of Architecture
25(24)
Michael Gnehm
3 Bernhard Pankok's Graphic Iterations
49(22)
Peter H. Fox
4 Iteration of the Non-iterative: Revaluation and the Case of Laszlo Moholy-Nagy's Photograms
71(34)
Robin Schuldenfrei
5 Sonia Delaunay: Media or Message?
105(16)
Kathleen James-Chakraborty
6 Simon Hantai after Phage
121(20)
Molly Warnock
7 In and Out of View: Reflections on The Vessel
141(13)
Mike Ricketts
8 The Image as Iteration
154(22)
Peter Sealy
Coda: The Interchronic Pause and the Temporality of Iteration 176(6)
Timothy Hyde
List of Contributors 182(3)
List of Image Credits 185(3)
Index 188
Robin Schuldenfrei is Katja and Nicolai Tangen Senior Lecturer in 20th Century Modernism at The Courtauld Institute of Art, University of London. She has written widely on modernism as it intersects with theories of the object, architecture and interiors. Her publications include Luxury and Modernism: Architecture and the Object in Germany 1900-1933 (Princeton University Press, 2018) as well as numerous articles, essays and the two edited volumes: Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture (2012) and, co-edited with Jeffrey Saletnik, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism (2009).