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Keyboard Skills for the Practical Musician [Mīkstie vāki]

(Bowling Green State University College of Musical Arts, USA)
  • Formāts: Paperback / softback, 396 pages, height x width: 280x210 mm, weight: 1020 g, 14 Tables, black and white; 177 Line drawings, black and white; 177 Illustrations, black and white
  • Izdošanas datums: 28-Feb-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367517469
  • ISBN-13: 9780367517465
  • Mīkstie vāki
  • Cena: 71,61 €
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  • Formāts: Paperback / softback, 396 pages, height x width: 280x210 mm, weight: 1020 g, 14 Tables, black and white; 177 Line drawings, black and white; 177 Illustrations, black and white
  • Izdošanas datums: 28-Feb-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367517469
  • ISBN-13: 9780367517465

Keyboard Skills for the Practical Musician provides undergraduate music majors in class piano courses with the techniques and fundamentals they need to flourish into independent, versatile musicians who play with confidence and sensitivity. Organized by skill (rather than level), the topics sequenced in this textbook offer endless flexibility for instructors while guiding students in a step-by-step approach through the development of essential keyboard skills ? such as reading, harmonization, improvisation, and accompaniment ? supporting concepts learned in music theory, ear training, private lessons, methods classes, and ensemble courses. One can draw from many sections of the book in any given class or semester, covering a wide range of piano skills that foster abilities frequently used in a myriad of musical professions.

Features:
• Over 400 sightreading, transposition, and score reading examples, along with 125 harmonization Melodies
• Project assignments that promote independent learning, expose students to new musical styles, and encourage collaboration
• A concluding Repertoire section with lists of solo and duet music, 10 ensemble arrangements, 6 duets, and additional pieces from the Baroque, Classical, Romantic, and Post-Romantic eras • Music examples include numerous works by composers from marginalized backgrounds and from global folk music
• No prior piano background knowledge needed

Explaining the core elements of keyboard learning in an accessible and responsive format while accentuating the importance of learning how to learn, Keyboard Skills for the Practical Musician offers an essential resource for all class piano students and instructors.



Keyboard Skills for the Practical Musician provides undergraduate music majors in class piano courses with the techniques and fundamentals they need to flourish into independent, versatile musicians who play with confidence and sensitivity.

Preface xiii
Introduction 1(4)
Keyboard Skills
1(1)
Effective Practicing
2(1)
Fundamentals
2(1)
What Are Some Ways to Practice?
2(1)
If There Is a Mistake
3(1)
If There Does Not Seem to Be a Mistake
3(1)
Why So Many Repetitions?
3(1)
Projects
3(2)
PART I Skills
5(300)
1 Keyboard Theory
7(19)
Grand Staff Piano Map and Finger Numbers
8(11)
Note Identification and Octave Placement
9(1)
Intervals
9(1)
Scales
9(1)
Major and Minor 5-Finger Patterns
10(1)
Triads
10(1)
Roman Numerals -- Major Keys
11(1)
Names for Common Chords
11(1)
Roman Numerals -- Minor Keys
11(1)
Playing Chords
12(1)
Model for Learning Tonic, Dominant, and Subdominant Chords
12(1)
Triad Terminology and Inversions
13(1)
Fingerings for Triads and Inversions
14(1)
Model for Spelling and Playing Keyboard Style Triads and Inversions
14(1)
Dominant Seventh (V7) Chords
15(1)
Omit the 5th of the V7
15(1)
Fingerings for Dominant Seventh Chords (V7) and Their Inversions
16(1)
Model for Spelling and Playing Dominant Seventh Chords and Their Inversions
16(1)
Introduction to Chord Progressions With Closest Position Chords
17(1)
Chords With 1 Note in Common: I to V7
17(1)
Chords With 1 Note in Common: I to IV
18(1)
Suggestions for Learning Chord Progressions
18(1)
Primary Chord Progressions
19(4)
Model for Spelling and Playing Closest Position Chord Progressions
19(1)
Introduction to Diatonic Chord Progressions
20(1)
Chords With 2 Notes in Common
20(1)
Chords With 0 Notes in Common
20(1)
Minor Minor Seventh Chords
21(1)
Introduction to Chord Progressions With Inversions
21(1)
Doublings
21(1)
When NOT to Omit the 5th
22(1)
Avoiding Voice Leading Errors
22(1)
Diatonic Chord Progressions
23(2)
Introduction to Chromatic Harmony
24(1)
Chromatic Chord Progressions
25(1)
2 More Keyboard Theory
26(11)
Db Major (2 Octaves)
27(1)
Gb Major (2 Octaves)
27(1)
C, D, E, G, A Majors and Minors (2 Octaves)
27(1)
Scale With Ostinato
28(1)
Scale Fingerings
29(3)
Broken Chords and Arpeggios
32(1)
Broken Chords
32(1)
Arpeggios
33(1)
Choral Warmups
34(3)
3 Sigh treading and Transposition
37(50)
Lines 1 RH 5-Finger Pattern With LHI, IV, and V Pitches
39(2)
Sightreading Preparatory Exercises
41(1)
5-Finger Sightreading Exercises
42(1)
Lines 2 RH 5-Finger Pattern With LH I, IV, and V Pitches With Key Signatures
43(4)
Chords 1: RH 5-Finger Pattern With LH Root Position I and V Chords
47(3)
Chords 2: RH 5-Finger Pattern With LH Root Position I, IV, and V Chords
50(3)
Chords 3: RH 5-Finger Pattern With LH Closest Position I and V7 Chords
53(2)
Chords 4: RH 5-Finger Pattern With LH Closest Position Primary Chords
55(4)
Chords 5: RH Scale With LH Closest Position Primary Chords
59(5)
Chords 6: RH Scale With LH Closest Position Diatonic Chords
64(5)
Lines 3 BH Playing Different Melodies Beyond 5-Finger Patterns
69(9)
Lines 4 Vocal Tenor Clef Plus Treble or Bass Clef
78(9)
4 Harmonization
87(63)
1-Handed Accompaniment
88(3)
Sample 1-Handed Accompaniment Patterns
90(1)
2-Handed Accompaniment
91(3)
Sample 2-Handed Accompaniment Patterns
93(1)
Primary Harmonization Preparation
94(1)
Primary Harmonization Primer
95(1)
Primary Harmonization
96(10)
Primary Harmonization at Sight Primer
106(1)
Primary Harmonization at Sight
107(5)
Major Diatonic Harmonization Preparation
112(1)
Major Diatonic Harmonization Primer
113(1)
Minor Diatonic Harmonization Preparation
114(1)
Minor Diatonic Harmonization Primer
115(1)
Diatonic Harmonization
116(10)
Diatonic Harmonization at Sight Primer
126(1)
Diatonic Harmonization at Sight
127(5)
Chromatic Harmonization Preparation
132(1)
Chromatic Harmonization Primer
133(1)
Chromatic Harmonization
134(10)
Chromatic Harmonization at Sight Primer
144(1)
Chromatic Harmonization at Sight
145(5)
5 Improvisation
150(16)
Melody/Accompaniment Improvisation
151(10)
Imitation of Musical Characteristics
151(1)
Motifs, Phrases, and 4-Bar Phrase Structure
151(1)
Harmony
152(1)
Accompaniment Patterns
153(1)
Moods
154(1)
Root Position Chord Progressions
155(2)
Closest Position Primary Chord Progressions
157(2)
Diatonic Major Chord Progressions
159(1)
Diatonic Minor Chord Progressions
160(1)
"In the Style of" Improvisation
161(3)
General/Classroom Music Improvisation
164(2)
6 Blues Improvisation
166(12)
Blues Scale
167(1)
Blues Melody
168(1)
Blues Harmony
169(1)
Blues Progression
170(1)
Improvisation Review
170(1)
Sample Blues
170(2)
Blues 1
172(1)
Blues Walking Bass
173(1)
Blues Progression Review
173(1)
1-Bar Walking Bass Line Exercises
174(1)
2-Bar Walking Bass Line Exercises
174(1)
Blues 2
175(1)
More Blues Harmony
176(1)
Blues 3
177(1)
7 Chorales
178(34)
1 Hand Dyads, 1 Hand Repeated Note (Chorale 1)
180(6)
1 Hand 5-Finger Pattern Dyads With 1 Note Moving (Chorale 1A)
180(1)
1 Hand 5-Finger Pattern Dyads With Both Notes Moving (Chorale 1B)
181(1)
1 Hand Beyond 5-Finger Pattern Dyads With Both Notes Moving (Chorale 1C)
182(2)
Chorale IC-Style Examples From Literature (Chorale 1D)
184(2)
1 Hand Dyads, 1 Hand Moving Notes (Chorale 2)
186(10)
1 Hand 5-Finger Pattern Dyads With 1 Note Moving (Chorale 2A)
186(1)
1 Hand 5-Finger Pattern Dyads With Both Notes Moving (Chorale 2B)
187(1)
1 Hand Beyond 5-Finger Pattern Dyads With Both Notes Moving (Chorale 2C)
188(4)
Chorale 2C-Style Examples From Literature (Chorale 2D)
192(4)
Chorale Preparatory Exercises and Sample Soprano, Alto, Bass Reductions (Chorale 3)
196(1)
Chorale Preparatory Exercises and Sample Melody/Chord Reductions (Chorale 4)
197(1)
Chorale Excerpts
198(4)
Full Chorale With Introduction, Reductions, and Notes
202(1)
Creating Introductions and Reductions for Full Chorales
203(1)
Full Chorales
204(8)
8 Score Reading
212(45)
Movable Clef Information
214(1)
Alto Clef Reading
215(2)
Tenor Clef Reading
217(2)
Instrument Transposition Information
219(1)
Bb Instrument Reading
220(2)
F Instrument Reading
222(2)
Score Reading Information
224(1)
Woodwind Trio -- Finale, From Nonet, Op. 38 -- Louise Farrenc
225(1)
Woodwind Quartet -- Concertino for Flute, Op. 107 -- Cecile Chaminade
225(1)
Woodwind Quartet -- Prelude No. 5 -- Amanda Rontgen-Maier
226(1)
Woodwind Quartet -- Jupiter, the Bringer of Jollity -- Hoist
227(1)
Brass Quartet -- Hail Columbia -- Phile
228(1)
Brass Quartet -- Hino do Ceara -- Alberto Nepomuceno
229(1)
Full Band Score, Reduction, and Notes -- Marcia No. 7 -- Ponchielli
230(4)
Full Band Score -- America the Beautiful -- Ward
234(3)
High Voice Trio -- November -- Jessie Gaynor
237(1)
High Voice Trio -- March of the Women -- Ethel Smyth
238(1)
High Voice Trio -- Fjarlin och Rosen, Op. 31, No. 1 -- Laura Netzel
238(1)
Low Voice Trio -- A Knight's Farewell -- Johanna Kinkel
239(1)
Low Voice Trio -- Trinklied im Mai, D. 427 -- Schubert
240(1)
Full Choral Anthem, Reduction, and Notes -- Now Is the Month of Maying -- Morley
241(3)
Full Choral Anthem -- Boston -- Billings
244(2)
String Trio -- Violin Concerto in D Minor -- Amanda Rontgen-Maier
246(1)
String Trio -- String Quartet No. 3, SN5.7 -- Alberto Nepomuceno
246(1)
String Trio -- Divertimento No. 4, K. 439b -- Mozart
247(1)
String Trio -- Promethee, Op. 21 -- Leopoldo Miguez
248(1)
String Trio -- Waldnacht, Op. 23, No. 3 -- Julius Eichberg
249(1)
Full String Ensemble Score, Reduction, and Notes -- Suite for Strings (III) -- Jandcek
250(3)
Full String Ensemble Score -- Pomp and Circumstance, Op. 39, No. 1 -- Elgar
253(2)
Additional Score Reading Resources
255(2)
Band
255(1)
Choral
255(1)
Strings
255(1)
General
256(1)
9 Accompaniment
257(48)
Additional Accompaniment Repertoire
259(4)
Maid of the Mist Original -- Herbert L. Clarke
263(1)
Maid of the Mist Reduced
264(2)
Reduction Explanation and Bb Instrument Part
265(1)
Minuet (Dance of the Blessed Spirits) -- Gluck
266(2)
Minuet (Dance of the Blessed Spirits) Reduced and Explanation
268(3)
C Instrument Part
270(1)
An Die Musik, D. 547 Original -- Schubert
271(1)
An Die Musik, D. 547 Reduced
272(2)
Reduction Explanation, C Instrument Part, and Viola Part
273(1)
El Sueno Importuno Original -- Juan Pedro Esnaola
274(4)
El Sueno Importuno Reduced and Explanation
278(4)
Sonata No. 1 in F Major, Op. 2, No. 1, 4th Movement, Original -- Marcello
282(2)
Sonata No. 1 in F Major, Op. 2, No. 1, 4th Movement, Reduced
284(4)
Marcello Reduction Explanation and he Beau C Instrument Part
286(1)
Marcello C Instrument Part
287(1)
Elegie, Op. 44 -- Luise Adolpha he Beau
288(2)
Reduction Suggestions
289(1)
Ride, ride, Ranke, Op. 52, No. 2 -- Agathe Backer Grendahl
290(2)
Grøndahl and Browne C Instrument Parts
291(1)
The Reply of the Messenger Bird -- Augusta Browne
292(2)
Chanson, From 6 Nouvelles Melodies -- Clemence de Grandval
294(4)
C Instrument and Viola Parts
297(1)
Arioso From Cantata, BWV 156 -- J. S. Bach
298(7)
Bass Clef C Instrument Part
301(1)
Bb Instrument Part
302(1)
F Instrument Part
303(1)
Eb Instrument Part
304(1)
PART II Repertoire
305(81)
10 Solo Repertoire
307(33)
Additional Solo Repertoire
307(33)
Easier Solo Repertoire List
307(2)
Minuet, From Suite in D Minor -- Elisabeth Jacquet de la Guerre
309(1)
Tambourin, Op. 2, No. 7 -- Elisabetta de Gambarini
310(1)
Allegro Tranquillo From Sonatina No. 1 (I) -- Hedwige Chretien
311(1)
Rondo From Sonata, Op. 2, No. 4 -- Jane Savage
312(2)
Etude, Op. 50, No. 1 -- Louise Farrenc
314(2)
Manhas e Reproches, No. 5 From 12 Pecas Caracteristicas, Op. Post. -- Leopoldo Miguez
316(2)
A Joyous Moment, From Tableaux Pour Enfants, Op. 37, No.4 -- Rebikov
318(2)
Slovakian Boys' Dance, From 10 Easy Pieces, Sz. 39, No. 3 -- Bartok
320(2)
More Difficult Solo Repertoire List
322(2)
Prelude in C Minor, BWV 999 -- J. S. Bach
324(2)
La Joyeuse, From Suite in D Major, WCT 3 -- Rameau
326(2)
Sonatina No. 3 in A Minor -- Benda
328(2)
Rondo, From Sonatina in G Major, Op. 151, No. 1 -- Diabelli
330(2)
Marche Russe, Op. 123, No. 12 -- Cecile Chaminade
332(2)
Etude No. 19 -- Helene Montgeroult
334(2)
A Little Slow Waltz, Op. 11, No. 3 -- Carl Nielsen
336(2)
Berceuse, From Pezzi Infantili, Op. 35, No. 10 -- Casella
338(2)
11 Duet Repertoire
340(26)
Additional Duet Repertoire
340(2)
Berceuse, Op. 14, No. 2 -- Hannah Smith
342(2)
Mysterious Story, Op. 57, No. 2 -- Kirchner
344(2)
Twilight, From Summer Dreams, Op. 47, No. 3 -- Amy Beach
346(2)
The Swing, From Pieces at Twilight -- Foote
348(4)
Allegro, From Duettino in C Major, WO 24 -- Clementi
352(8)
Valse Espagnole -- Mel Bonis
360(6)
12 Ensemble Repertoire
366(20)
La Morisque and Bergrette From Danseyre -- Susato
366(2)
La Cucaracha -- Mexican Folk Song
368(2)
God Rest Ye Merry Gentlemen -- English Melody
370(2)
Aloha `Oe -- Queen Lili'uokalani
372(2)
Dance of the Sugar Plum Fairy, From The Nutcracker, Op. 71 -- Tchaikovsky
374(2)
Kumbaya -- Spiritual
376(2)
The Teddy Bears' Picnic -- Bratton
378(2)
Peacherine Rag -- Scott Joplin
380(2)
Prelude, Op. 15, No. 4 -- Marion Bauer
382(1)
Spring (I), From the Four Seasons, RV 269 -- Vivaldi
383(3)
Appendix: Musical Examples 386(7)
Bibliography 393(3)
Index 396
Cole Burger is associate teaching professor of class piano and piano pedagogy in the College of Musical Arts at Bowling Green State University.