Preface |
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xiii | |
Introduction |
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1 | (4) |
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1 | (1) |
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2 | (1) |
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2 | (1) |
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What Are Some Ways to Practice? |
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2 | (1) |
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3 | (1) |
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If There Does Not Seem to Be a Mistake |
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3 | (1) |
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3 | (1) |
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3 | (2) |
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5 | (300) |
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7 | (19) |
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Grand Staff Piano Map and Finger Numbers |
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8 | (11) |
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Note Identification and Octave Placement |
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9 | (1) |
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9 | (1) |
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9 | (1) |
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Major and Minor 5-Finger Patterns |
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10 | (1) |
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10 | (1) |
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Roman Numerals -- Major Keys |
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11 | (1) |
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11 | (1) |
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Roman Numerals -- Minor Keys |
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11 | (1) |
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12 | (1) |
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Model for Learning Tonic, Dominant, and Subdominant Chords |
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12 | (1) |
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Triad Terminology and Inversions |
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13 | (1) |
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Fingerings for Triads and Inversions |
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14 | (1) |
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Model for Spelling and Playing Keyboard Style Triads and Inversions |
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14 | (1) |
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Dominant Seventh (V7) Chords |
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15 | (1) |
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15 | (1) |
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Fingerings for Dominant Seventh Chords (V7) and Their Inversions |
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16 | (1) |
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Model for Spelling and Playing Dominant Seventh Chords and Their Inversions |
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16 | (1) |
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Introduction to Chord Progressions With Closest Position Chords |
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17 | (1) |
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Chords With 1 Note in Common: I to V7 |
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17 | (1) |
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Chords With 1 Note in Common: I to IV |
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18 | (1) |
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Suggestions for Learning Chord Progressions |
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18 | (1) |
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Primary Chord Progressions |
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19 | (4) |
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Model for Spelling and Playing Closest Position Chord Progressions |
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19 | (1) |
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Introduction to Diatonic Chord Progressions |
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20 | (1) |
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Chords With 2 Notes in Common |
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20 | (1) |
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Chords With 0 Notes in Common |
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20 | (1) |
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Minor Minor Seventh Chords |
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21 | (1) |
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Introduction to Chord Progressions With Inversions |
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21 | (1) |
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21 | (1) |
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22 | (1) |
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Avoiding Voice Leading Errors |
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22 | (1) |
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Diatonic Chord Progressions |
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23 | (2) |
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Introduction to Chromatic Harmony |
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24 | (1) |
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Chromatic Chord Progressions |
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25 | (1) |
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26 | (11) |
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27 | (1) |
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27 | (1) |
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C, D, E, G, A Majors and Minors (2 Octaves) |
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27 | (1) |
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28 | (1) |
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29 | (3) |
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Broken Chords and Arpeggios |
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32 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (3) |
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3 Sigh treading and Transposition |
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37 | (50) |
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Lines 1 RH 5-Finger Pattern With LHI, IV, and V Pitches |
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39 | (2) |
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Sightreading Preparatory Exercises |
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41 | (1) |
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5-Finger Sightreading Exercises |
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42 | (1) |
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Lines 2 RH 5-Finger Pattern With LH I, IV, and V Pitches With Key Signatures |
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43 | (4) |
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Chords 1: RH 5-Finger Pattern With LH Root Position I and V Chords |
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47 | (3) |
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Chords 2: RH 5-Finger Pattern With LH Root Position I, IV, and V Chords |
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50 | (3) |
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Chords 3: RH 5-Finger Pattern With LH Closest Position I and V7 Chords |
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53 | (2) |
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Chords 4: RH 5-Finger Pattern With LH Closest Position Primary Chords |
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55 | (4) |
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Chords 5: RH Scale With LH Closest Position Primary Chords |
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59 | (5) |
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Chords 6: RH Scale With LH Closest Position Diatonic Chords |
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64 | (5) |
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Lines 3 BH Playing Different Melodies Beyond 5-Finger Patterns |
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69 | (9) |
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Lines 4 Vocal Tenor Clef Plus Treble or Bass Clef |
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78 | (9) |
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87 | (63) |
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88 | (3) |
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Sample 1-Handed Accompaniment Patterns |
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90 | (1) |
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91 | (3) |
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Sample 2-Handed Accompaniment Patterns |
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93 | (1) |
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Primary Harmonization Preparation |
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94 | (1) |
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Primary Harmonization Primer |
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95 | (1) |
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96 | (10) |
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Primary Harmonization at Sight Primer |
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106 | (1) |
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Primary Harmonization at Sight |
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107 | (5) |
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Major Diatonic Harmonization Preparation |
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112 | (1) |
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Major Diatonic Harmonization Primer |
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113 | (1) |
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Minor Diatonic Harmonization Preparation |
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114 | (1) |
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Minor Diatonic Harmonization Primer |
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115 | (1) |
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116 | (10) |
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Diatonic Harmonization at Sight Primer |
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126 | (1) |
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Diatonic Harmonization at Sight |
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127 | (5) |
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Chromatic Harmonization Preparation |
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132 | (1) |
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Chromatic Harmonization Primer |
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133 | (1) |
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134 | (10) |
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Chromatic Harmonization at Sight Primer |
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144 | (1) |
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Chromatic Harmonization at Sight |
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145 | (5) |
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150 | (16) |
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Melody/Accompaniment Improvisation |
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151 | (10) |
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Imitation of Musical Characteristics |
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151 | (1) |
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Motifs, Phrases, and 4-Bar Phrase Structure |
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151 | (1) |
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152 | (1) |
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153 | (1) |
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154 | (1) |
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Root Position Chord Progressions |
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155 | (2) |
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Closest Position Primary Chord Progressions |
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157 | (2) |
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Diatonic Major Chord Progressions |
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159 | (1) |
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Diatonic Minor Chord Progressions |
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160 | (1) |
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"In the Style of" Improvisation |
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161 | (3) |
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General/Classroom Music Improvisation |
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164 | (2) |
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166 | (12) |
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167 | (1) |
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168 | (1) |
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169 | (1) |
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170 | (1) |
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170 | (1) |
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170 | (2) |
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172 | (1) |
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173 | (1) |
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173 | (1) |
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1-Bar Walking Bass Line Exercises |
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174 | (1) |
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2-Bar Walking Bass Line Exercises |
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174 | (1) |
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175 | (1) |
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176 | (1) |
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177 | (1) |
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178 | (34) |
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1 Hand Dyads, 1 Hand Repeated Note (Chorale 1) |
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180 | (6) |
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1 Hand 5-Finger Pattern Dyads With 1 Note Moving (Chorale 1A) |
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180 | (1) |
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1 Hand 5-Finger Pattern Dyads With Both Notes Moving (Chorale 1B) |
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181 | (1) |
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1 Hand Beyond 5-Finger Pattern Dyads With Both Notes Moving (Chorale 1C) |
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182 | (2) |
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Chorale IC-Style Examples From Literature (Chorale 1D) |
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184 | (2) |
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1 Hand Dyads, 1 Hand Moving Notes (Chorale 2) |
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186 | (10) |
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1 Hand 5-Finger Pattern Dyads With 1 Note Moving (Chorale 2A) |
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186 | (1) |
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1 Hand 5-Finger Pattern Dyads With Both Notes Moving (Chorale 2B) |
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187 | (1) |
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1 Hand Beyond 5-Finger Pattern Dyads With Both Notes Moving (Chorale 2C) |
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188 | (4) |
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Chorale 2C-Style Examples From Literature (Chorale 2D) |
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192 | (4) |
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Chorale Preparatory Exercises and Sample Soprano, Alto, Bass Reductions (Chorale 3) |
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196 | (1) |
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Chorale Preparatory Exercises and Sample Melody/Chord Reductions (Chorale 4) |
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197 | (1) |
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198 | (4) |
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Full Chorale With Introduction, Reductions, and Notes |
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202 | (1) |
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Creating Introductions and Reductions for Full Chorales |
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203 | (1) |
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204 | (8) |
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212 | (45) |
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214 | (1) |
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215 | (2) |
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217 | (2) |
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Instrument Transposition Information |
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219 | (1) |
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220 | (2) |
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222 | (2) |
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Score Reading Information |
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224 | (1) |
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Woodwind Trio -- Finale, From Nonet, Op. 38 -- Louise Farrenc |
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225 | (1) |
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Woodwind Quartet -- Concertino for Flute, Op. 107 -- Cecile Chaminade |
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225 | (1) |
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Woodwind Quartet -- Prelude No. 5 -- Amanda Rontgen-Maier |
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226 | (1) |
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Woodwind Quartet -- Jupiter, the Bringer of Jollity -- Hoist |
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227 | (1) |
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Brass Quartet -- Hail Columbia -- Phile |
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228 | (1) |
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Brass Quartet -- Hino do Ceara -- Alberto Nepomuceno |
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229 | (1) |
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Full Band Score, Reduction, and Notes -- Marcia No. 7 -- Ponchielli |
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230 | (4) |
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Full Band Score -- America the Beautiful -- Ward |
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234 | (3) |
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High Voice Trio -- November -- Jessie Gaynor |
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237 | (1) |
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High Voice Trio -- March of the Women -- Ethel Smyth |
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238 | (1) |
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High Voice Trio -- Fjarlin och Rosen, Op. 31, No. 1 -- Laura Netzel |
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238 | (1) |
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Low Voice Trio -- A Knight's Farewell -- Johanna Kinkel |
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239 | (1) |
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Low Voice Trio -- Trinklied im Mai, D. 427 -- Schubert |
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240 | (1) |
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Full Choral Anthem, Reduction, and Notes -- Now Is the Month of Maying -- Morley |
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241 | (3) |
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Full Choral Anthem -- Boston -- Billings |
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244 | (2) |
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String Trio -- Violin Concerto in D Minor -- Amanda Rontgen-Maier |
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246 | (1) |
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String Trio -- String Quartet No. 3, SN5.7 -- Alberto Nepomuceno |
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246 | (1) |
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String Trio -- Divertimento No. 4, K. 439b -- Mozart |
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247 | (1) |
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String Trio -- Promethee, Op. 21 -- Leopoldo Miguez |
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248 | (1) |
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String Trio -- Waldnacht, Op. 23, No. 3 -- Julius Eichberg |
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249 | (1) |
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Full String Ensemble Score, Reduction, and Notes -- Suite for Strings (III) -- Jandcek |
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250 | (3) |
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Full String Ensemble Score -- Pomp and Circumstance, Op. 39, No. 1 -- Elgar |
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253 | (2) |
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Additional Score Reading Resources |
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255 | (2) |
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255 | (1) |
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255 | (1) |
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255 | (1) |
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256 | (1) |
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257 | (48) |
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Additional Accompaniment Repertoire |
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259 | (4) |
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Maid of the Mist Original -- Herbert L. Clarke |
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263 | (1) |
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264 | (2) |
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Reduction Explanation and Bb Instrument Part |
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265 | (1) |
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Minuet (Dance of the Blessed Spirits) -- Gluck |
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266 | (2) |
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Minuet (Dance of the Blessed Spirits) Reduced and Explanation |
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268 | (3) |
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270 | (1) |
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An Die Musik, D. 547 Original -- Schubert |
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271 | (1) |
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An Die Musik, D. 547 Reduced |
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272 | (2) |
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Reduction Explanation, C Instrument Part, and Viola Part |
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273 | (1) |
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El Sueno Importuno Original -- Juan Pedro Esnaola |
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274 | (4) |
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El Sueno Importuno Reduced and Explanation |
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278 | (4) |
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Sonata No. 1 in F Major, Op. 2, No. 1, 4th Movement, Original -- Marcello |
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282 | (2) |
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Sonata No. 1 in F Major, Op. 2, No. 1, 4th Movement, Reduced |
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284 | (4) |
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Marcello Reduction Explanation and he Beau C Instrument Part |
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286 | (1) |
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Marcello C Instrument Part |
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287 | (1) |
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Elegie, Op. 44 -- Luise Adolpha he Beau |
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288 | (2) |
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289 | (1) |
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Ride, ride, Ranke, Op. 52, No. 2 -- Agathe Backer Grendahl |
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290 | (2) |
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Grøndahl and Browne C Instrument Parts |
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291 | (1) |
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The Reply of the Messenger Bird -- Augusta Browne |
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292 | (2) |
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Chanson, From 6 Nouvelles Melodies -- Clemence de Grandval |
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294 | (4) |
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C Instrument and Viola Parts |
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297 | (1) |
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Arioso From Cantata, BWV 156 -- J. S. Bach |
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298 | (7) |
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Bass Clef C Instrument Part |
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301 | (1) |
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302 | (1) |
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303 | (1) |
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304 | (1) |
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305 | (81) |
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307 | (33) |
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Additional Solo Repertoire |
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307 | (33) |
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Easier Solo Repertoire List |
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307 | (2) |
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Minuet, From Suite in D Minor -- Elisabeth Jacquet de la Guerre |
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309 | (1) |
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Tambourin, Op. 2, No. 7 -- Elisabetta de Gambarini |
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310 | (1) |
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Allegro Tranquillo From Sonatina No. 1 (I) -- Hedwige Chretien |
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311 | (1) |
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Rondo From Sonata, Op. 2, No. 4 -- Jane Savage |
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312 | (2) |
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Etude, Op. 50, No. 1 -- Louise Farrenc |
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314 | (2) |
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Manhas e Reproches, No. 5 From 12 Pecas Caracteristicas, Op. Post. -- Leopoldo Miguez |
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316 | (2) |
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A Joyous Moment, From Tableaux Pour Enfants, Op. 37, No.4 -- Rebikov |
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318 | (2) |
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Slovakian Boys' Dance, From 10 Easy Pieces, Sz. 39, No. 3 -- Bartok |
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320 | (2) |
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More Difficult Solo Repertoire List |
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322 | (2) |
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Prelude in C Minor, BWV 999 -- J. S. Bach |
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324 | (2) |
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La Joyeuse, From Suite in D Major, WCT 3 -- Rameau |
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326 | (2) |
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Sonatina No. 3 in A Minor -- Benda |
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328 | (2) |
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Rondo, From Sonatina in G Major, Op. 151, No. 1 -- Diabelli |
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330 | (2) |
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Marche Russe, Op. 123, No. 12 -- Cecile Chaminade |
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332 | (2) |
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Etude No. 19 -- Helene Montgeroult |
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334 | (2) |
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A Little Slow Waltz, Op. 11, No. 3 -- Carl Nielsen |
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336 | (2) |
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Berceuse, From Pezzi Infantili, Op. 35, No. 10 -- Casella |
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338 | (2) |
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340 | (26) |
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Additional Duet Repertoire |
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340 | (2) |
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Berceuse, Op. 14, No. 2 -- Hannah Smith |
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342 | (2) |
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Mysterious Story, Op. 57, No. 2 -- Kirchner |
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344 | (2) |
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Twilight, From Summer Dreams, Op. 47, No. 3 -- Amy Beach |
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346 | (2) |
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The Swing, From Pieces at Twilight -- Foote |
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348 | (4) |
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Allegro, From Duettino in C Major, WO 24 -- Clementi |
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352 | (8) |
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Valse Espagnole -- Mel Bonis |
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360 | (6) |
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366 | (20) |
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La Morisque and Bergrette From Danseyre -- Susato |
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366 | (2) |
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La Cucaracha -- Mexican Folk Song |
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368 | (2) |
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God Rest Ye Merry Gentlemen -- English Melody |
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370 | (2) |
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Aloha `Oe -- Queen Lili'uokalani |
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372 | (2) |
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Dance of the Sugar Plum Fairy, From The Nutcracker, Op. 71 -- Tchaikovsky |
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374 | (2) |
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376 | (2) |
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The Teddy Bears' Picnic -- Bratton |
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378 | (2) |
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Peacherine Rag -- Scott Joplin |
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380 | (2) |
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Prelude, Op. 15, No. 4 -- Marion Bauer |
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382 | (1) |
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Spring (I), From the Four Seasons, RV 269 -- Vivaldi |
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383 | (3) |
Appendix: Musical Examples |
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386 | (7) |
Bibliography |
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393 | (3) |
Index |
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396 | |