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Music, Sound and Multimedia: From the Live to the Virtual [Mīkstie vāki]

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  • Formāts: Paperback / softback, 224 pages, height x width: 234x156 mm, 6 black and white illustrations
  • Sērija : Music and the Moving Image
  • Izdošanas datums: 13-Nov-2007
  • Izdevniecība: Edinburgh University Press
  • ISBN-10: 0748625348
  • ISBN-13: 9780748625345
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  • Mīkstie vāki
  • Cena: 40,40 €
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  • Formāts: Paperback / softback, 224 pages, height x width: 234x156 mm, 6 black and white illustrations
  • Sērija : Music and the Moving Image
  • Izdošanas datums: 13-Nov-2007
  • Izdevniecība: Edinburgh University Press
  • ISBN-10: 0748625348
  • ISBN-13: 9780748625345
Citas grāmatas par šo tēmu:
This new series aims to explore the area of "screen music". Volume topics will include multimedia music, music and television, Hollywood film music, and the music of Bollywood cinema. Music and other sound effects have been central to a whole host of media forms throughout the twentieth century, either as background, accompaniment, or main driving force. Such interactions will continue to mutate in new directions, with the widespread growth of digital technologies. Despite the expansion of research into the use of music and sound in film, the investigation of sonic interactions with other media forms has been a largely under-researched area. Music, Sound and Multimedia provides a unique study of how music and other sounds play a central part in our understandings and uses of a variety of communications media. It focuses on four areas of sound and music within broader multimedia forms - music videos, video game music, performance and presentation, and production and consumption - and addresses the centrality of such aural concerns within our everyday experiences. Charting historical developments, mapping contemporary patterns, and speculating on future possibilities, this book is essential for courses on sound and media within media and communications studies, cultural studies and popular music studies. Key features * Charts a number of key developments in music and multimedia interactions * Provides both historical overviews and theoretical analyses * Features a number of in-depth case studies of important issues.

Recenzijas

This is a valuable book about important topics, written by fresh voices on the academic music scene. It is well worth the investment of money and time for the general reading public, and merits adoption as a primary resource for the growing ranks of university courses about music in the digital age! this collection of essays sets a high standard among similar edited volumes, by virtue of the diversity and timeliness of its topics in digital media, its strong basis in recent secondary literature, and the appropriateness of the specific examples for each of the medial practices. -- James Deaville Music, Sound and the Moving Image This excellent volume will be useful to those in ethnomusicology and popular music studies who have been contemplating the new musical environments of digital media and broadband internet in recent years! There is a great deal here to both provoke and inspire ethnomusicologists working on, or with, new media. -- Martin Stokes, St. John's College, Oxford Ethnomusicology Forum This is a valuable book about important topics, written by fresh voices on the academic music scene. It is well worth the investment of money and time for the general reading public, and merits adoption as a primary resource for the growing ranks of university courses about music in the digital age! this collection of essays sets a high standard among similar edited volumes, by virtue of the diversity and timeliness of its topics in digital media, its strong basis in recent secondary literature, and the appropriateness of the specific examples for each of the medial practices. This excellent volume will be useful to those in ethnomusicology and popular music studies who have been contemplating the new musical environments of digital media and broadband internet in recent years! There is a great deal here to both provoke and inspire ethnomusicologists working on, or with, new media.

Acknowledgements vii
List of Illustrations viii
Notes on Contributors ix
Introduction 1
SECTION ONE: FANDOM AND MUSIC VIDEOS
1. Reframing Fan Videos
17
Angelina I. Karpovich
2. Case Study: Anime Music Videos
29
Dana Milstein
SECTION TWO: VIDEO-GAME MUSIC
3. Music in Video games
51
Rod Munday
4. Case Study: Film Music vs. Video-Game Music: The Case of Silent Hill
68
Zach Whalen
SECTION THREE: PERFORMANCE AND PRESENTATION
5. Reflections on Sound Art
85
Jamie Sexton
6. Pop Music, Multimedia and Live Performance
105
Jem Kelly
7. Case Study: Film Sound, Acoustic Ecology and Performance in Electroacoustic Music
121
Randolph Jordan
SECTION FOUR: PRODUCTION AND CONSUMPTION
8. Sound and Music in Website Design
145
Lee Tsang
9. Music Media in Young People's Everyday Lives
172
Dan Laughey
10. Case Study: The Development of the Apple iPod
188
Kieran Kelly
Index 201
Jamie Sexton is a lecturer at the Department of Theatre, Film and Television, University of Wales, Aberystwyth. He has published in the areas of film and sound, alternative British film culture, and television experimentation.