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New Munsell Student Color Set 5th edition [Loose-leaf]

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Associate editor (Sam Houston State University, USA), (Virginia Commonwealth University, USA)
  • Formāts: Loose-leaf, 180 pages, height x width: 280x215 mm, weight: 1612 g, 116 color illus 35 bw illus
  • Izdošanas datums: 07-Sep-2017
  • Izdevniecība: Fairchild Books
  • ISBN-10: 1501327526
  • ISBN-13: 9781501327520
Citas grāmatas par šo tēmu:
New Munsell Student Color Set 5th editionPalielināt
  • Formāts: Loose-leaf, 180 pages, height x width: 280x215 mm, weight: 1612 g, 116 color illus 35 bw illus
  • Izdošanas datums: 07-Sep-2017
  • Izdevniecība: Fairchild Books
  • ISBN-10: 1501327526
  • ISBN-13: 9781501327520
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781501327520.html
Keywords:
Adaptable to both studio and lecture courses and appropriate for all student levels from beginner to advanced,The New Munsell Student Color Set, 5th Edition, is a complete learning package that offers opportunities for experimenting with color effects using paint, paper, and computers. A full-color interactive and experimental guidebook for understanding color in all its dimensions, it includes 11 Munsell color charts, 15 interactive charts, 12 packets of color chips, and a textbook, all designed to facilitate hands-on learning of color's aspects and effects. The text provides a complete study of color use and color science, including extended discussion of visual perception, optical effects, and practical application of color phenomena in fine and applied art practices.

Papildus informācija

Introduces color theory and color perception through Munsell color chip exercise and accompanying text.
Preface ix
Acknowledgments xi
Instructions for Assembling the Munsell Hue Charts and the Interactive Charts xii
Part One Color Use
1(80)
1 The Vocabulary
3(20)
Key Terms
3(1)
Historical Background
4(1)
Color Systems
5(1)
Munsell Notation
6(2)
The First Dimension: Hue
8(1)
The Second Dimension: Value
9(1)
The Third Dimension: Chroma
10(1)
The Color Solid
11(1)
Color Gamuts
11(2)
Primary Colors
13(1)
The Munsell System as a Computer Palette
13(1)
Table 1.1 CMYK Percentages for Printing and RGB Percentages for Electronic Display of the Basic Ten Munsell Hues
14(9)
Summary
15(1)
Suggested Readings
16(1)
Exercises
17(1)
Supplies Needed for Exercises and Charts
17(1)
Instructions for Assembling the Munsell Hue Value/Chroma Chart
18(1)
Instructions for Assembling the Munsell Hue Charts
19(2)
Guidelines for Creating a Munsell Computer Palette
21(2)
2 Color Anomalies, Emotional Response, Symbolism, and Trends
23(24)
Key Terms
23(1)
Warm and Cool Hues
23(1)
Advancing and Receding Colors
24(2)
Practical Use of Advancing and Receding Color
26(3)
Emotional Response, Symbolism, and Trends
29(1)
Table 2.1 Hues and Cultural Meaning
30(1)
Color Trends
31(1)
The Characteristics and Meanings of the Hues and Neutrals
31(11)
Practical Use of Color Symbolism and Color Response Information
42(5)
Summary
43(1)
Suggested Readings
43(1)
Exercises
44(3)
3 Relationships among Colors
47(18)
Key Terms
47(2)
Color Constancy
49(1)
Successive Contrast
49(1)
Simultaneous Contrast
49(5)
Guidelines for Creating Simultaneous Contrast Effects
54(1)
Separated Colors
55(1)
Color Assimilation
55(1)
Intermingling and Color Texture
56(2)
The Transparency Effect and Iridescence
58(1)
Vanishing Boundaries and Luminosity
59(6)
Summary
61(1)
Suggested Readings
61(1)
Exercises
62(3)
4 Combining Colors
65(16)
Key Terms
65(1)
Color Harmony
66(1)
Color Balance
67(5)
Color Sequences as Harmonious
72(1)
Munsell Color Paths
72(2)
Color Control
74(2)
Color Combinations and Psychological Associations
76(5)
Summary
78(1)
Suggested Readings
78(1)
Exercises
79(2)
Part Two Color Science
81(48)
5 Color Measurement, Appearance, and Technology
83(8)
Key Terms
83(1)
Colorimetry: Instrumental Color Measurement
83(2)
Metamerism: Matching Color
85(1)
Observer Metamerism
86(1)
Electronics and Technology
87(1)
Computer Color and the Final Product
88(3)
Summary
88(1)
Suggested Readings
89(1)
Exercises
89(2)
6 Vision and Color
91(8)
Key Terms
91(1)
The Physiology of the Eye
91(1)
Color Vision
92(1)
Color Perception
93(1)
Color in the World
94(5)
Summary
97(1)
Suggested Readings
98(1)
Exercises
98(1)
7 Light and Color
99(14)
Key Terms
99(1)
The Visible Attributes of Color
99(3)
The Invisible Attributes of Color
102(2)
Glossy and Matte Colors
104(1)
Comparing Colors by Eye
105(1)
Color and Lighting
105(4)
Light and Color Reflection
109(4)
Summary
111(1)
Suggested Readings
111(1)
Exercises
112(1)
8 Additive Color Mixture: Mixing Light
113(8)
Key Terms
113(1)
Mixture of Light Beams
113(1)
Optical Color Mixture
114(7)
Summary
118(1)
Suggested Readings
119(1)
Exercises
119(2)
9 Subtractive Color Mixture: Mixing Paints
121(8)
Key Terms
121(1)
Simple Subtractive Mixture
121(1)
Complex Subtractive Mixture
122(1)
Colorants for Artists
123(1)
Pigment Names
124(1)
Painters' Palettes
124(1)
Table 9.1 Pigments for a Painters' Palette of Double Primary Colors
125(1)
Guidelines for Mixing Paints
125(4)
Summary
127(1)
Suggested Readings
127(1)
Exercises
128(1)
Glossary 129(8)
References 137(2)
Index 139
Jim Long is Professor Emeritus at Virginia Commonwealth University, US.

Ronald L. Reed, ASID, IDEC, NCIDQ, is an assistant professor in the Department of Design in the College of Visual Arts and Design at the University of North Texas, USA.