Preface |
|
ix | |
Acknowledgments |
|
xi | |
Instructions for Assembling the Munsell Hue Charts and the Interactive Charts |
|
xii | |
|
|
1 | (86) |
|
|
3 | (17) |
|
|
3 | (1) |
|
|
4 | (1) |
|
|
4 | (2) |
|
|
6 | (1) |
|
The Second Dimension: Value |
|
|
7 | (1) |
|
The Third Dimension: Chroma |
|
|
8 | (1) |
|
|
9 | (1) |
|
|
9 | (1) |
|
|
10 | (1) |
|
The Munsell System as a Computer Palette |
|
|
11 | (2) |
|
Table 1.1 CMYK Percentages for Printing the Basic Ten Munsell Hues |
|
|
13 | (7) |
|
|
13 | (1) |
|
|
14 | (1) |
|
|
14 | (1) |
|
Supplies Needed for Exercises and Charts |
|
|
15 | (1) |
|
Instructions for Assembling the Munsell Hue Value/Chroma Chart |
|
|
16 | (1) |
|
Instructions for Assembling the Munsell Color Charts |
|
|
17 | (2) |
|
Guidelines for Creating a Munsell Computer Palette |
|
|
19 | (1) |
|
2 Color Anomalies, Emotional Response, Symbolism, and Trends |
|
|
20 | (24) |
|
|
20 | (1) |
|
|
20 | (1) |
|
Advancing and Receding Colors |
|
|
21 | (2) |
|
Practical Use of Advancing and Receding Color |
|
|
23 | (1) |
|
Emotional Response, Symbolism, and Trends |
|
|
24 | (3) |
|
|
27 | (1) |
|
Table 2.1 Hues and Cultural Meaning |
|
|
27 | (1) |
|
The Characteristics and Meanings of the Hues and Neutrals |
|
|
28 | (12) |
|
Practical Use of Color Symbolism and Color Response Information |
|
|
40 | (4) |
|
|
40 | (1) |
|
|
41 | (1) |
|
|
41 | (3) |
|
3 Relationships among Colors |
|
|
44 | (16) |
|
|
44 | (1) |
|
|
45 | (1) |
|
Successive and Simultaneous Contrast |
|
|
46 | (4) |
|
Guidelines for Creating Simultaneous Contrast Effects |
|
|
50 | (1) |
|
|
51 | (1) |
|
|
52 | (1) |
|
Intermingling and Color Texture |
|
|
53 | (1) |
|
The Transparency Effect and Iridescence |
|
|
54 | (6) |
|
|
56 | (1) |
|
|
56 | (1) |
|
|
57 | (3) |
|
|
60 | (15) |
|
|
60 | (1) |
|
|
61 | (1) |
|
|
62 | (5) |
|
Color Sequences as Harmonious |
|
|
67 | (1) |
|
|
67 | (2) |
|
|
69 | (2) |
|
Color Combinations and Psychological Associations |
|
|
71 | (4) |
|
|
72 | (1) |
|
|
73 | (1) |
|
|
73 | (2) |
|
5 Color in Designed Products, Installations, and Printing |
|
|
75 | (12) |
|
|
75 | (1) |
|
Colorimetry: Instrumental Color Measurement |
|
|
75 | (1) |
|
Metamerism: Matching Color |
|
|
76 | (1) |
|
|
77 | (1) |
|
|
78 | (1) |
|
|
78 | (4) |
|
Light and Color Reflection |
|
|
82 | (2) |
|
Computer Color and the Final Product |
|
|
84 | (3) |
|
|
84 | (1) |
|
|
85 | (1) |
|
|
85 | (2) |
|
|
87 | (41) |
|
6 Science, Color, and Art |
|
|
89 | (7) |
|
|
89 | (1) |
|
|
89 | (1) |
|
Impressionism and Post-Impressionism |
|
|
90 | (2) |
|
|
92 | (4) |
|
|
93 | (1) |
|
|
94 | (1) |
|
|
94 | (2) |
|
|
96 | (9) |
|
|
96 | (1) |
|
The Visible Attributes of Color |
|
|
96 | (3) |
|
The Invisible Attributes of Color |
|
|
99 | (2) |
|
|
101 | (4) |
|
|
102 | (1) |
|
|
103 | (1) |
|
|
103 | (2) |
|
|
105 | (7) |
|
|
105 | (1) |
|
The Physiology of the Eye |
|
|
105 | (1) |
|
|
106 | (1) |
|
|
107 | (1) |
|
|
108 | (4) |
|
|
110 | (1) |
|
|
111 | (1) |
|
|
111 | (1) |
|
9 Additive Color Mixture: Mixing Light |
|
|
112 | (8) |
|
|
112 | (1) |
|
|
112 | (1) |
|
|
113 | (7) |
|
|
117 | (1) |
|
|
118 | (1) |
|
|
118 | (2) |
|
10 Subtractive Color Mixture: Mixing Paints |
|
|
120 | (8) |
|
|
120 | (1) |
|
Simple Subtractive Mixture |
|
|
120 | (1) |
|
Complex Subtractive Mixture |
|
|
121 | (1) |
|
|
122 | (1) |
|
|
123 | (1) |
|
|
123 | (1) |
|
Guidelines for Mixing Paints |
|
|
124 | (1) |
|
Table 10.1 Pigments for a Painter's Palette of Double Primary Colors |
|
|
124 | (4) |
|
|
126 | (1) |
|
|
126 | (1) |
|
|
127 | (1) |
Glossary |
|
128 | (7) |
References |
|
135 | |