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E-grāmata: Pina Bauschs Aggressive Tenderness: Repurposing Theater through Dance [Taylor & Francis e-book]

  • Formāts: 144 pages
  • Izdošanas datums: 26-Nov-2019
  • Izdevniecība: Routledge
  • ISBN-13: 9780367809027
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  • Taylor & Francis e-book
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  • Standarta cena: 222,34 €
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  • Formāts: 144 pages
  • Izdošanas datums: 26-Nov-2019
  • Izdevniecība: Routledge
  • ISBN-13: 9780367809027
Citas grāmatas par šo tēmu:
Pina Bauschs Aggressive Tenderness: Repurposing Theater through Dance maps Bauschs pieces alongside methodologies of key theater and film practitioners.

This book includes discussion of a variety of Bausch pieces, including Sacre du Printemps (Rite of Spring 1975), Kontakthof (Meeting Place 1978), Café Müller (Café Mueller 1978), Nelken (Carnations 1982), Arien (Arias 1985), and Vollmond (Full Moon 2006). Beginning with her approach as one avenue of dance dramaturgy, the author connects the content expressed in these pieces with theoretical conversations, works from other artists inspired by Bausch, and her own experiences, providing an examination that is both academic and personally insightful. Arendell reads all of these theatrical and film approaches into Bauschs work to highlight how the time frame involves a cross-pollination between Bausch and the other artists that looks both backward and forward in its influences.

Ideal for students of dance and theater, Pina Bauschs Aggressive Tenderness shows how Bauschs Tanztheater speaks a kinaesthetic language, one that Arendell translates into a somaesthetic exploration to pair a repurposed body ethic with movements that present new forms of embodiment.
Acknowledgements vii
Introduction: tell me a story 1(18)
1 Dance dramaturgy
19(8)
Poem #1 Storytelling
19(8)
2 Montage
27(8)
Poem #2 The head biting the tail
27(8)
3 Alienation
35(15)
Poem #3 Madhatter's refusal
35(15)
4 Poor dance theater
50(8)
Poem #4 Wasteful wanting
50(8)
5 Dance theater of cruelty
58(11)
Poem #5 Shadowing
58(11)
6 Dramaturgy for empty spaces
69(11)
Poem #6 Giving voice to motion
69(11)
7 Viewpoints as a point of view
80(5)
Poem #7 Signs gestured
80(5)
8 Extended moments in repetition
85(8)
Poem #8 Parting company
85(8)
9 Dance, dance, otherwise we are lost
93(17)
Poem #9 Truer subtexts
93(17)
10 From Jooss to Bausch and beyond: what gesture forgives
110(12)
Poem #10 Ballet slippers gone rogue
118(4)
Appendix A Interview with Bausch dancer Julie Shanahan 122(4)
Appendix B Interview with Bausch dancer and rehearsal director Daphnis Kokkinos 126(4)
Works cited 130(3)
Index 133
Telory D. Arendell, PhD, is Associate Professor at Missouri State University, USA. She has published three books: Dances Duet with the Camera: Motion Pictures (2016); The Autistic Stage: How Cognitive Disability Changed 20th-Century Performance (2015); and Performing Disability: Staging the Actual (2009).