Atjaunināt sīkdatņu piekrišanu

E-grāmata: Pina Bausch's Aggressive Tenderness: Repurposing Theater through Dance

  • Formāts: 144 pages
  • Izdošanas datums: 12-Nov-2019
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000732917
Citas grāmatas par šo tēmu:
  • Formāts - EPUB+DRM
  • Cena: 48,83 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 144 pages
  • Izdošanas datums: 12-Nov-2019
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000732917
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Pina Bausch’s Aggressive Tenderness maps Bausch’s pieces alongside methodologies of key theater and film practitioners. This book includes discussion of a variety of Bausch pieces, including Sacre du Printemps, Kontakthof, Café Müller, Nelken, Arien, and Vollmond.



Pina Bausch’s Aggressive Tenderness: Repurposing Theater through Dance maps Bausch’s pieces alongside methodologies of key theater and film practitioners.





This book includes discussion of a variety of Bausch pieces, including Sacre du Printemps (Rite of Spring 1975), Kontakthof (Meeting Place 1978), Café Müller (Café Mueller 1978), Nelken (Carnations 1982), Arien (Arias 1985), and Vollmond (Full Moon 2006). Beginning with her approach as one avenue of dance dramaturgy, the author connects the content expressed in these pieces with theoretical conversations, works from other artists inspired by Bausch, and her own experiences, providing an examination that is both academic and personally insightful. Arendell reads all of these theatrical and film approaches into Bausch’s work to highlight how the time frame involves a cross-pollination between Bausch and the other artists that looks both backward and forward in its influences.





Ideal for students of dance and theater, Pina Bausch’s Aggressive Tenderness shows how Bausch’s Tanztheater speaks a kinaesthetic language, one that Arendell translates into a somaesthetic exploration to pair a repurposed body ethic with movements that present new forms of embodiment.

ACKNOWLEDGEMENTS INTRODUCTION: TELL ME A STORY
1. DANCE DRAMATURGY POEM
#1 Storytelling
2. MONTAGE POEM #2 The Head Biting the Tail
3. ALIENATION
POEM #3 Madhatters Refusal
4. POOR DANCE THEATER POEM #4 Wasteful Wanting
5.
DANCE THEATER OF CRUELTY POEM #5 Shadowing
6. DRAMATURGY FOR EMPTY SPACES
POEM #6 Giving Voice to Motion
7. VIEWPOINTS AS A POINT OF VIEW POEM #7 Signs
Gestured
8. EXTENDED MOMENTS IN REPETITION POEM #8 Parting Company
9. DANCE,
DANCE, OTHERWISE WE ARE LOST POEM #9 Truer Subtexts
10. FROM JOOSS TO BAUSCH
AND BEYOND: WHAT GESTURE FORGIVES POEM #10 Ballet Slippers Gone Rogue
APPENDIX A: INTERVIEW WITH BAUSCH DANCER JULIE FLANNIGAN APPENDIX B:
INTERVIEW WITH BAUSCH DANCER and REHEARSAL DIRECTOR DAPHNIS KOKKINOS WORKS
CITED INDEX
Telory D. Arendell, PhD, is Associate Professor at Missouri State University, USA. She has published three books: Dances Duet with the Camera: Motion Pictures (2016); The Autistic Stage: How Cognitive Disability Changed 20th-Century Performance (2015); and Performing Disability: Staging the Actual (2009).