Tan, Pfordresher, and Harré have thoroughly revised and updated Psychology of Music: From Sound to Significance with great success. They maintain the logical progression of topics from the earlier version, but each chapter incorporates new and intriguing material, ranging from practical problems in learning and performing music to philosophical issues concerning how music conveys meaning. Topics are seamlessly integrated across chapters with valuable cross-references and clear links are drawn between the classic studies and the vibrant, contemporary research. Technical jargon is avoided, at the same time providing satisfying descriptions of important methodologies. Anyone involved in music, as performer or listener, will find an engaging array of ideas about music and human thought and emotion - and many fascinating, unanswered questions. - Carol Lynne Krumhansl, Professor of Psychology, Cornell University, US
The authors' revision of Psychology of Music: From Sound to Significance provides students and instructors with a rich and deep resource for learning about the field of music psychology. Approachable in its language and sweeping in scope, this text introduces readers to the many areas of scientific research into the powerful, deeply human experiences of listeners and performers, children and adults. I have used the first edition as a text in my undergraduate survey course for years and highly recommend this book as an excellent choice, both in the classroom and for the independent learner. - Richard Ashley, Associate Professor of Music, Cognitive Science, and Cognitive Neuroscience, Northwestern University, US; Co-Editor, Routledge Companion to Music Cognition
