| Acknowledgments |
|
ix | |
|
|
|
xi | |
|
|
|
xv | |
| Introduction |
|
1 | (12) |
|
|
| Part One Reading Race from Antiquity to the Middle Ages |
|
|
|
|
|
|
|
|
|
|
13 | (8) |
|
Cultural Constructions of Sexuality and Race in Roman Art |
|
|
|
|
|
|
|
21 | (16) |
|
Ritual and Representation in a Yiddish Book of Customs |
|
|
|
|
|
A Sanctified Black: Maurice |
|
|
37 | (32) |
|
|
| Part Two Imag(in)ing Race in the Eighteenth and Nineteenth Centuries |
|
|
|
|
69 | (18) |
|
|
|
``Only women should go to Turkey'' |
|
|
87 | (32) |
|
Henriette Browne and the Female Orientalist Gaze |
|
|
|
|
|
The Hottentot and the Prostitute |
|
|
119 | (20) |
|
Toward an Iconography of Female Sexuality |
|
|
|
|
|
|
|
139 | (16) |
|
|
|
Racism, Nationalism, and Nostalgia |
|
|
155 | (14) |
|
|
|
Blacks in Shark-Infested Waters |
|
|
169 | (22) |
|
Visual Encodings of Racism in Copley and Homer |
|
|
|
|
|
|
|
191 | (26) |
|
Masculinity and the Black Body in Mid-Nineteenth-Century American Sculpture |
|
|
|
|
| Part Three Modernism and Its ``Primitive'' Legacy |
|
|
Histories of the Tribal and the Modern |
|
|
217 | (16) |
|
|
|
The While Peril and L'Art negre |
|
|
233 | (28) |
|
Picasso, Primitivism, and Anticolonialism |
|
|
|
|
|
New Encounters with Les Demoiselles d'Avignon |
|
|
261 | (28) |
|
Gender, Race, and the Origins of Cubism |
|
|
|
|
|
|
|
289 | (18) |
|
|
|
|
|
|
|
|
307 | (14) |
|
Afro-California Modernist |
|
|
|
|
|
Horace Pippin's Challenge to Art Criticism |
|
|
321 | (10) |
|
|
|
In Search of the ``inauthentic'' |
|
|
331 | (10) |
|
Disturbing Signs in Contemporary Native American Art |
|
|
|
|
|
|
|
341 | (12) |
|
|
|
|
|
| Part Four Race-ing Us White, Beige, Brown, and Black in the Twentieth Century |
|
|
International Abstraction in a National Context |
|
|
353 | (6) |
|
Abstract Painting in Korea, 1910-1965 |
|
|
|
|
|
|
|
359 | (12) |
|
The Experiences and Achievements of Afro-Asian Artists in the Metropolis |
|
|
|
|
|
Reframing the Black Subject |
|
|
371 | (20) |
|
Ideology and fantasy in Contemporary South African Representation |
|
|
|
|
|
Biraciality and Nationhood in Contemporary American Art |
|
|
391 | (12) |
|
|
| List of Contributors |
|
403 | (4) |
| Permissions |
|
407 | (2) |
| Index |
|
409 | |
