| Acknowledgments |
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ix | |
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xi | |
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xv | |
| Introduction |
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1 | (12) |
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| Part One Black Athenas, Semitic Devils, and Black Magi Reading Race from Antiquity to the Middle Ages |
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13 | (8) |
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Cultural Constructions of Sexuality and Race in Roman Art |
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21 | (16) |
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Ritual and Representation in a Yiddish Book of Customs |
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A Sanctified Black: Maurice |
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37 | (32) |
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| Part Two Imag(in)ing Race in the Eighteenth and Nineteenth Centuries |
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69 | (18) |
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``Only women should go to Turkey'' |
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87 | (32) |
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Henriette Browne and the Female Orientalist Gaze |
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The Hottentot and the Prostitute |
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119 | (20) |
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Toward an Iconography of Female Sexuality |
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139 | (16) |
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Racism, Nationalism, and Nostalgia |
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155 | (14) |
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Blacks in Shark-Infested Waters |
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169 | (22) |
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Visual Encodings of Racism in Copley and Homer |
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191 | (26) |
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Masculinity and the Black Body in Mid-Nineteenth-Century American Sculpture |
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| Part Three Modernism and Its ``Primitive'' Legacy |
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Histories of the Tribal and the Modern |
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217 | (16) |
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The While Peril and L'Art negre |
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233 | (28) |
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Picasso, Primitivism, and Anticolonialism |
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New Encounters with Les Demoiselles d'Avignon |
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261 | (28) |
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Gender, Race, and the Origins of Cubism |
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289 | (18) |
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307 | (14) |
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Afro-California Modernist |
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Horace Pippin's Challenge to Art Criticism |
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321 | (10) |
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In Search of the ``Inauthentic'' |
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331 | (10) |
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Disturbing Signs in Contemporary Native American Art |
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341 | (12) |
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| Part Four Race-ing Us White, Beige, Brown, and Black in the Twentieth Century |
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International Abstraction in a National Context |
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353 | (6) |
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Abstract Painting in Korea, 1910-1965 |
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359 | (12) |
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The Experiences and Achievements of Afro-Asian Artists in the Metropolis |
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Reframing the Black Subject |
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371 | (20) |
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Ideology and Fantasy in Contemporary South African Representation |
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Biraciality and Nationhood in Contemporary American Art |
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391 | (12) |
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| List of Contributors |
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403 | (4) |
| Permissions |
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407 | (2) |
| Index |
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409 | |
Biežāk uzdotie jautājumi par e-grāmatām