"The Routledge Companion to Remix Studies 2nd edition comprises contemporary texts by key authors and artists who are active in the interdisciplinary field of remix studies. As an organic international movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material continues to bring up pressing questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism, especially with the emergence of artificial intelligence, which relies on remix methods and principles for content production. This book approaches remix studies from various angles, including sections on history, aesthetics, ethics, politics, and practice; and offers theoretical chapters alongside case studies of remix projects. This second edition includes ten new chapters, and nine revised chapters. Reprinted chapters from the first edition are updated with editorial prefaces. This volume offers in-depth insight for long-term relevance among the many interdisciplinary fields that rely on and also contribute to remix studies. This companion is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom"--
The Routledge Companion to Remix Studies, 2nd Edition comprises contemporary texts by key authors and artists who are active in the interdisciplinary field of remix studies.
As an organic international movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material continues to bring up pressing questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism, especially with the emergence of artificial intelligence, which relies on remix methods and principles for content production. This book approaches remix studies from various angles, including sections on history, aesthetics, ethics, politics, and practice; and offers theoretical chapters alongside case studies of remix projects. This second edition includes ten new chapters, and nine revised chapters. Reprinted chapters from the first edition are updated with editorial prefaces. This volume offers in-depth insight for long-term relevance among the many interdisciplinary fields that rely on and also contribute to remix studies.
This companion is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom.
The Routledge Companion to Remix Studies 2nd edition comprises contemporary texts by key authors and artists who are active in the interdisciplinary field of remix studies.
Introduction EDUARDO NAVAS, OWEN GALLAGHER, AND XTINE BURROUGH PART I:
History
1. Remix and the Dialogic Engine of Culture: A Model for Generative
Combinatoriality MARTIN IRVINE
2. A Rhetoric of Remix, Revised SCOTT HADEN
CHURCH
3. Toward a Remix Culture: An Existential Perspective VITO CAMPANELLI
4. An Oral History of Sampling: From Turntables to Mashups KEMBREW MCLEOD
5.
Can I Borrow Your Proper Name? Remixing Signatures and the Contemporary
Author CICERO INACIO DA SILVA
6. The Extended Remix: Rhetoric and History
MARGIE BORSCHKE
7. The Roots of Audiovisual Remix in the Works of Francis
Doublier, Esfir Shub, and Joseph Cornell ELI HORWATT
8. Algorithmic Archival
Remix: Metacreative, Metahistorical, and Metatemporal Considerations Around
Jan Bot GRAZIA INGRAVALLE
9. Revisiting Recuts: Fake Film Trailers and Their
History KATHLEEN WILLIAMS
PART II: Aesthetics
10. Remix Strategies in Social Media LEV MANOVICH
11.
Remixing Movies and Trailers Before and After the Digital Age NICOLA MARIA
DUSI
12. Remixing the Plague of Images: Video Art from Latin America in a
Transnational Context ERANDY VERGARA
13. Race and Remix: The Aesthetics of
Race, Remix, and Monstrous Technologies TASHIMA THOMAS
14. Remix as
Adaptation and Regeneration: Eco-Art with African Perspectives Before and
After Oil DALE HUDSON
15. The End of an Aura: Nostalgia, Memory, and the
Haunting of Hip Hop ROY CHRISTOPHER
16. Generative AI and Remix: Difference
and Repetition DAVID J. GUNKEL
17. Digital Poetics and Remix Culture: From
the Artisanal Image to the Immaterial Image MONICA TAVARES
18. Culture and
Remix: A Theory on Cultural Sublation EDUARDO NAVAS
19. In Praise of
Copying and the Future of the Copy MARCUS BOON
PART III: Ethics
20. The Emerging Ethics of Networked Culture ARAM SINNREICH
21. The Panopticon of Ethical Video Remix Practice METTE BIRK
22. Cutting
Scholarship Together/Apart: Rethinking the Political-Economy of Scholarly
Book Publishing JANNEKE ADEMA
23. How Copyright and Fair Use Work in
Repurposing Popular Culture PATRICIA AUFDERHEIDE AND BRANDON BUTLER
24. I
Thought I Made A Vid, But Then You Told Me That I Didnt: Aesthetics and
Boundary Work in the Fan-Vidding Community KATHARINA FREUND
25. Anything for
Love: Remix as Affective Practice within the Vidding Community LUCIA TRALLI
26. Peeling The Layers of the Onion: Authorship in Mashup and Remix Cultures
JOHN LOGIE
27. remixthecontext (a theoretical fiction) MARK AMERIKA
28. Remix
in the Age of AI ERIN REILLY AND SAM HEWITT
29. Stealing From or Facilitating
Hard-Working Musicians? Remixers Code of Honor RAGNHILD BRŲVIG
PART IV: Politics
30. A Capital Remix RACHEL ODWYER
31. Remix Practices and
Activism: A Semiotic Analysis of Creative Dissent PAOLO PEVERINI
32.
Political Remix Video as a Vernacular Discourse OLIVIA CONTI
33. Locative
Media as Remix CONOR MCGARRIGLE
34. The Politics of John Lennons Imagine:
Contextualizing the Roles of Mashups and New Media in Political Protest J.
MERYL KRIEGER
35. The New Polymath (Remixing Knowledge) RACHEL FALCONER
36.
Not Meant for the Listener: Concealed (Political) Sampling in Experimental
Electronica HANNES LIECHTI
37. Détournement as a Premise of the Remix from
Political, Aesthetic, and Technical Perspectives NADINE WANONO
PART V: Practice
38. Crises of Meaning in Communities of Creative
Appropriation: A Case Study of the 2010 RE/Mixed Media Festival TOM TENNEY
39. Of RE/APPROPRIATIONS GUSTAVO ROMANO
40. Aesthetics of Remix: Networked
Interactive Objects and Interface Design JONAH BRUCKER-COHEN
41. GAN to the
Mississippi: Remixing Relations Between Humans and River with Generative
Adversarial Networks HEIDI BIGGS
42. Remix Analytic Methods: A Collaborative
Approach to Time-Based Media Media Analysis EDUARDO NAVAS, LUKE MEEKEN, KORY
J. BLOSE, ROBBIE FRALEIGH, ALEXANDER KORTE, AND EDUARDO DE MOURA
43.
Reflections on the Amen Break: A Continued History, an Unsettled Ethics NATE
HARRISON
44. Going Crazy with the DMCA: Lenz v. Universal in the Classroom
XTINE BURROUGH AND DR. EMILY ERICKSON
45. Occupy / Band Aid Mashup: Do They
Know Its Christmas? OWEN GALLAGHER
46. Remixing the Remix ELISA KREISINGER
47. A Fair(y) Use Tale ERIC FADEN
48. An Aesthetics of Deception in Political
Remix Video DIRAN LYONS
49. Radical Remix Redux: Manifestoon JESSE DREW
50.
In Two Minds KEVIN ATHERTON
Eduardo Navas is an Associate Research Professor of Art and Digital Arts & Media Design in the School of Visual Arts, and Research Faculty in the College of Arts and Architecture's Arts & Design Research Incubator (ADRI) at Pennsylvania State University, USA, where he researches and teaches principles of cultural analytics and digital humanities.
Owen Gallagher is an Associate Professor and Head of the School of Creative Media at Bahrain Polytechnic, where he teaches film, sound, animation, Web media, and design. His lecturing portfolio includes audio and video post-production, 3D animation, and advanced interactive applications. In addition to his academic work, Owen produces and publishes his own remix videos, contributing to both the theoretical and practical dimensions of remix studies and digital media.
xtine burrough is a Professor in the Harry W. Bass Jr. School of Arts, Humanities, and Technology at UT Dallas, USA where she directs LabSynthE, a laboratory for synthetic and electronic poetry. A media artist who works at the intersection of design, intervention, and digital poetry, her portfolio includes time-based media such as screensavers and videos, computational poetry, apps, series-based works for Instagram, interventions on social media platforms and fine art prints.
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