Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey.
Papildus informācija
The theme for Shakespeare Survey 68 is 'Shakespeare, Origins and Originality'.
1. Shakespeare's anecdotal character Margreta de Grazia;
2. What is a
source? Or, how Shakespeare read His Marlowe Laurie Maguire and Emma Smith;
3. Imitation or collaboration? Marlowe and the early Shakespeare canon Gary
Taylor and John V. Nance;
4. 'O Jephthah, judge of Israel': from original to
accreted meanings in Hamlet's allusion Péter Dįvidhįzi;
5. The elephants'
graveyard revisited: Shakespeare at work in Antony and Cleopatra, Romeo and
Juliet and All's Well That Ends Well Catherine Belsey;
6. 'Every like is not
the same': translating Shakespeare in Spanish today Alfredo Michel Modenessi;
7. Reading originals by the light of translations Tom Cheesman;
8. 'My name
is Will': Shakespeare's sonnets and autobiography Stanley Wells;
9. Tracings
and data in The Tempest: author, world and representation Janet Clare;
10.
Shakespearean gesture: narrative and iconography Farah Karim-Cooper;
11. The
origin of the late Renaissance dramatic convention of self-addressed speech
James Hirsh;
12. Reading in their present: early readers and the origins of
Shakespearian appropriation Jean-Christophe Mayer;
13. Shakespeare out of
time (or, Hugo takes dictation from the beyond) Ruth Morse;
14. Betrayal,
derail, or a thin veil: the myth of origin Bi-qi Beatrice Lei;
15. Global
Shakespeares, affective histories, cultural memories Jyotsna G. Singh and
Abdulhamit Arvas;
16. Spinach and tobacco: making Shakespearian unoriginals
Peter Holland;
17. Ren Fest Shakespeare: the cosplay Bard Andrew James
Hartley;
18. 'Dead as earth': contemporary topicality and myths of origin in
King Lear and The Shadow King Kate Flaherty;
19. Shakespeare and the idea of
national theatres Michael Dobson;
20. John Rice and the boys of the Jacobean
King's Men David Kathman;
21. Shakespeare's Irish lives: the politics of
biography Andrew Murphy;
22. Shakespeare in blockaded Berlin: the 1948
'Elizabethan Festival' Bettina Boecker;
23. Connecting the Globe: actors,
audience and entrainment Robert Shaughnessy;
24. 'Freetown!': Shakespeare and
social flourishing Ewan Fernie;
25. We'll always have Paris: the third
household and the 'bed of death' in Romeo and Juliet Nicholas Crawford;
26.
The 'serpent of old Nile': Cleopatra and the pragmatics of reported speech
Jelena Marelj;
27. 'This insubstantial pageant faded': the drama of semiotic
anxiety in The Tempest Lynn Forest-Hill;
28. Shakespeare performances in
England 2014 Carol Chillington Rutter;
29. Professional Shakespeare
productions in the British Isles, JanuaryDecember 2013 James Shaw; The
year's contribution to Shakespeare studies:
1. Critical studies Charlotte
Scott;
2. Shakespeare in performance Russell Jackson;
3. Editions and textual
studies Peter Kirwan.
Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television and Theater at the University of Notre Dame.
