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E-grāmata: Shakespeare Survey: Volume 68, Shakespeare, Origins and Originality

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Edited by (University of Notre Dame, Indiana)
  • Formāts: PDF+DRM
  • Sērija : Shakespeare Survey
  • Izdošanas datums: 24-Sep-2015
  • Izdevniecība: Cambridge University Press
  • Valoda: eng
  • ISBN-13: 9781316371992
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Shakespeare Survey: Volume 68, Shakespeare, Origins and OriginalityPalielināt
  • Formāts: PDF+DRM
  • Sērija : Shakespeare Survey
  • Izdošanas datums: 24-Sep-2015
  • Izdevniecība: Cambridge University Press
  • Valoda: eng
  • ISBN-13: 9781316371992
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Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey.

Papildus informācija

The theme for Shakespeare Survey 68 is 'Shakespeare, Origins and Originality'.
List of illustrations
ix
Shakespeare's Anecdotal Character
1(14)
Margheta De Grazia
What is a Source? Or, How Shakespeare Read his Marlowe
15(17)
Laurie Maguire
Emma Smith
Imitation or collaboration? Marlowe and the Early Shakespeare Canon
32(16)
Gary Taylor
John V. Nance
`O Jephthah, judge of Israel': From Original to Accreted Meanings in Hamlet's Allusion
48(14)
Peter Davidhazi
The Elephants' Graveyard Revisited: Shakespeare at Work in Antony and Cleopatra, Romeo and Juliet and All's Well That Ends Well
62(11)
Catherine Belsey
`Every like is not the same': Translating Shakespeare in Spanish Today
73(14)
Alfredo Michel Modenessi
Reading Originals by the Light of Translations
87(12)
Tom Cheesman
`My name is Will': Shakespeare's Sonnets and Autobiography
99(10)
Stanley Wells
Tracings and Data in The Tempest: Author, World and Representation
109(9)
Janet Clare
Shakespearian Gesture: Narrative and Iconography
118(13)
Farah Karim-Cooper
The Origin of the Late Renaissance Dramatic Convention of Self-Addressed Speech
131(15)
James Hirsh
Reading in their Present: Early Readers and the Origins of Shakespearian Appropriation
146(12)
Jean-Christophe Mayer
Shakespeare Out of Time (or, Hugo takes Dictation from the Beyond)
158(10)
Ruth Morse
Betrayal, Derail, or a Thin Veil: The Myth of Origin
168(15)
Bi-Qi Beatrice Lei
Global Shakespeares, Affective Histories, Cultural Memories
183(14)
Jyotsna G. Singh
Abdulhamit Arvas
Spinach and Tobacco: Making Shakespearian Unoriginals
197(13)
Peter Holland
Ren Fest Shakespeare: The Cosplay Bard
210(11)
Andrew James Hartley
`Dead as earth': Contemporary Topicality and Myths of Origin in King Lear and The Shadow King
221(13)
Kate Flaherty
Shakespeare and the Idea of National Theatres
234(13)
Michael Dobson
John Rice and the Boys of the Jacobean King's Men
247(20)
David Kathman
Shakespeare's Irish Lives: The Politics of Biography
267(15)
Andrew Murphy
Shakespeare in Blockaded Berlin: The 1948 `Elizabethan Festival'
282(12)
Bettina Boecker
Connecting the Globe: Actors, Audience and Entrainment
294(12)
Robert Shaughnessy
`Freetown!': Shakespeare and Social Flourishing
306(17)
Ewan Fernie
We'll Always Have Paris: The Third Household and the `Bed of Death' in Romeo and Juliet
323(14)
Nicholas Crawford
The `serpent of old Nile': Cleopatra and the Pragmatics of Reported Speech
337(16)
Jelena Marelj
`This insubstantial pageant faded': The Drama of Semiotic Anxiety in The Tempest
353(15)
Lynn Forest-Hill
Shakespeare Performances in England 2014
368(40)
Carol Chillington Rutter
Professional Shakespeare Productions in the British Isles January-December 2013
408(14)
James Shaw
The Year's Contribution to Shakespeare Studies
1 Critical Studies reviewed by Charlotte Scott
422(16)
2 Shakespeare in Performance reviewed fey Russell Jackson
438(13)
3 Editions and Textual Studies reviewed by Peter Kirwan
451(12)
Index to Volume 68 463
Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television and Theater at the University of Notre Dame.
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