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E-grāmata: Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference

(Stuart Hall Foundation, London, UK)
  • Formāts: 304 pages
  • Izdošanas datums: 28-Jan-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • Valoda: eng
  • ISBN-13: 9781501353475
  • Formāts - PDF+DRM
  • Cena: 31,55 €*
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  • Formāts: 304 pages
  • Izdošanas datums: 28-Jan-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • Valoda: eng
  • ISBN-13: 9781501353475

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Built upon the politics of difference, The Sphinx Contemplating Napoleon examines artistic practice through an international lens. This vibrant collection of essays and writings produced in different cultural contexts and collected over two decades introduces the reader to the thought, method of analysis and everyday experiences that have emerged from an increasingly globalized world, presenting a potentially radical frame through which to understand contemporary art.

Gilane Tawadros experiments with methodology to draw cultural difference to the surface: from traditional criticism to fictional narratives, this critical variety mirrors her embrace of different perspectives and hints to the myriad ways in which contemporary art is created and presented. Using these techniques she explores the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce and Frank Bowling, offering expert guidance on the rich cultural and historical contexts of global and contemporary art through intimate engagement with lived experience.

Playing with forms of writing, from critical analyses to fictional narratives, The Sphinx Contemplating Napoleon functions as a practice-based meditation on how to write about contemporary art.

Recenzijas

Amongst pioneering rethink of the art history-culture status quo, Gilanes writings illuminate the struggle to forge conceptual tackle for todays diverse art world and cultural difference critical voicing that emerges less from theorising than from thinking through art practices. * Sarat Maharaj, Professor of Visual Arts and Knowledge Systems, Malmö Art Academy, Lund University, Sweden * Based on the authors profound knowledge of the global contemporary art scene this book provides a new art historical narrative, one that is more global, more inclusive and nuanced A must read for students of contemporary art and visual culture, race, and the postcolonial body. * Salah M Hassan, Goldwin Smith Professor, Cornell University, USA * Richly illustrated, Gilane Tawadros beautifully observed book is a timely and prescient account of how representation remains a pivotal question for artists and society at large. Peppered with many delightful intercultural and intertextual references, The Sphinx Contemplating Napoleon is a must read in our de-colonising times. * Sonia Boyce, artist and Professor of Black Art and Design, University of the Arts London, UK * The Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference strikes a balance between seeing contemporary art on its own terms and understanding art within the terms set forth for it. When the latter is at odds with the former, Gilane Tawadros makes her greatest observations in a set of clear and evocative essays on a range of artists. All are superbly written, carefully argued down to the details and compelling to the end. Though the stated focus of post-independence Egypt and post-war Britain is maintained throughout, larger concerns of the value that art draws internationally is lucidly presented. This book continues Tawadros decades long project of internationalism in art. * Courtney J. Martin, Yale Center for British Art, USA *

Papildus informācija

In a collection of her key writings, Gilane Tawadros sheds new light on contemporary art in a globalised world, addressing issues such as difference, representation, (mis-) translation and art writing.
List of illustrations
x
Acknowledgements xiv
Introduction 1(4)
Part One The leftovers of translation
5(48)
1 But what is the question? Art, research and the production of knowledge
7(7)
2 Extra-Extra: Interview with Raul Ortega Ayala
14(6)
3 Dissonant chorus
20(5)
4 Shen Yuan: The leftovers of translation
25(14)
5 Voices off: Interview with Susan Hiller
39(14)
Part Two The banality of difference
53(46)
6 `We are the Martians'
55(19)
7 Van Leo: Self-portraits
74(7)
8 Shirana Shahbazi: The banality of difference
81(2)
9 A case of mistaken identity: Notes from the scene of the crime
83(10)
10 Electrifying Eve
93(6)
Part Three Re-siting the city
99(40)
11 The real me
101(10)
12 Vladimir and Estragon are still waiting
111(8)
13 Alfred's favourite tree
119(7)
14 The leopard
126(4)
15 Maps of desire
130(9)
Part Four Studies in a postcolonial body
139(62)
16 The revolution stripped bare
141(35)
17 Studies in a postcolonial body
176(5)
18 Veil: Veiling, representation and contemporary art
181(20)
Part Five Relocating the remains: History and representation
201(46)
19 Strangers and barbarians: Representing ourselves and others
203(26)
20 Telling tales: Keith Piper's Relocating the Remains
229(3)
21 Sweet oblivion
232(8)
22 Godville: Interview with Omer Fast
240(7)
Part Six Going global
247(73)
23 Going global: 4th International Istanbul Biennial
249(5)
24 Detonations: Jonathan Hernandez and the Rongwrong series
254(3)
25 Modern Europeans
257(14)
26 Slipping away (or uncompliant cartographies) 26i Part Seven Transmission interrupted
271(2)
27 Interruption in four acts, or disappearing irises, broken-down buses and ceramic Citroens
273(18)
28 Egypt at the Venice Biennale: 1967 and the year that changed everything
291(8)
29 From zero to infinity: The work of Adel Abdessemed
299(7)
30 Reading (and curating) from right to left
306(3)
31 Dissonant divas: Sonia Boyce, sound and collaboration
309(8)
32 A thousand and one
317(3)
Endnotes 320(5)
Index 325
Gilane Tawadros is a writer and curator. She was the founding Director of the Institute of International Visual Arts (Iniva) in London which, over a decade, achieved an international reputation as a ground-breaking cultural agency at the leading edge of artistic and cultural debates nationally and internationally. She has written extensively on contemporary art and curated a number of important exhibitions in the UK and internationally. In 2012, she was the first art historian to be appointed to the prestigious Blanche, Edith and Irving Laurie Chair in Womens Studies, Rutgers, the State University of New Jersey. She is Chair of the Stuart Hall Foundation.