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Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference [Hardback]

(Stuart Hall Foundation, London, UK)
  • Formāts: Hardback, 350 pages, height x width: 254x178 mm, weight: 1102 g, 147 color illus
  • Izdošanas datums: 25-Feb-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 1788314093
  • ISBN-13: 9781788314091
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 350 pages, height x width: 254x178 mm, weight: 1102 g, 147 color illus
  • Izdošanas datums: 25-Feb-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 1788314093
  • ISBN-13: 9781788314091
Citas grāmatas par šo tēmu:
Anchored in artistic practice, this vibrant collection of essays and writings spans a period from 1992-2017 and the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce, Frank Bowling, Omer Fast, Mona Hatoum, Susan Hiller, Alfredo Jaar, Glenn Ligon and Shen Yuan. A key figure in British and international art, Gilane Tawadros draws difference to the surface, recuperating it as a potentially radical frame through which to understand contemporary art and the everyday world. Playing with forms of writing, from critical analyses to fictional narratives, the book functions as a practice-based meditation on how to write about contemporary art.

Papildus informācija

In a collection of her key writings, Gilane Tawadros sheds new light on contemporary art in a globalised world, addressing issues such as difference, representation, (mis-) translation and art writing.
List of illustrations
x
Acknowledgements xiv
Introduction 1(4)
Part One The leftovers of translation
5(48)
1 But what is the question? Art, research and the production of knowledge
7(7)
2 Extra-Extra: Interview with Raul Ortega Ayala
14(6)
3 Dissonant chorus
20(5)
4 Shen Yuan: The leftovers of translation
25(14)
5 Voices off: Interview with Susan Hiller
39(14)
Part Two The banality of difference
53(46)
6 `We are the Martians'
55(19)
7 Van Leo: Self-portraits
74(7)
8 Shirana Shahbazi: The banality of difference
81(2)
9 A case of mistaken identity: Notes from the scene of the crime
83(10)
10 Electrifying Eve
93(6)
Part Three Re-siting the city
99(40)
11 The real me
101(10)
12 Vladimir and Estragon are still waiting
111(8)
13 Alfred's favourite tree
119(7)
14 The leopard
126(4)
15 Maps of desire
130(9)
Part Four Studies in a postcolonial body
139(62)
16 The revolution stripped bare
141(35)
17 Studies in a postcolonial body
176(5)
18 Veil: Veiling, representation and contemporary art
181(20)
Part Five Relocating the remains: History and representation
201(46)
19 Strangers and barbarians: Representing ourselves and others
203(26)
20 Telling tales: Keith Piper's Relocating the Remains
229(3)
21 Sweet oblivion
232(8)
22 Godville: Interview with Omer Fast
240(7)
Part Six Going global
247(24)
23 Going global: 4th International Istanbul Biennial
249(5)
24 Detonations: Jonathan Hernandez and the Rongwrong series
254(3)
25 Modern Europeans
257(4)
26 Slipping away (or uncompliant cartographies)
261(10)
Part Seven Transmission interrupted
271(49)
27 Interruption in four acts, or disappearing irises, broken-down buses and ceramic Citroens
273(18)
28 Egypt at the Venice Biennale: 1967 and the year that changed everything
291(8)
29 From zero to infinity: The work of Adel Abdessemed
299(7)
30 Reading (and curating) from right to left
306(3)
31 Dissonant divas: Sonia Boyce, sound and collaboration
309(8)
32 A thousand and one
317(3)
Endnotes 320(5)
Index 325
Gilane Tawadros is a writer and curator. She was the founding Director of the Institute of International Visual Arts (Iniva) in London which, over a decade, achieved an international reputation as a ground-breaking cultural agency at the leading edge of artistic and cultural debates nationally and internationally. She has written extensively on contemporary art and curated a number of important exhibitions in the UK and internationally. In 2012, she was the first art historian to be appointed to the prestigious Blanche, Edith and Irving Laurie Chair in Womens Studies, Rutgers, the State University of New Jersey. She is Chair of the Stuart Hall Foundation.