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Unsettling Acts: Performing Transnational Adoption [Hardback]

  • Formāts: Hardback, 268 pages, height x width x depth: 229x152x19 mm, weight: 531 g
  • Sērija : Formations: Adoption, Kinship, and Culture
  • Izdošanas datums: 27-Feb-2025
  • Izdevniecība: Ohio State University Press
  • ISBN-10: 0814215831
  • ISBN-13: 9780814215838
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 143,08 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
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  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 268 pages, height x width x depth: 229x152x19 mm, weight: 531 g
  • Sērija : Formations: Adoption, Kinship, and Culture
  • Izdošanas datums: 27-Feb-2025
  • Izdevniecība: Ohio State University Press
  • ISBN-10: 0814215831
  • ISBN-13: 9780814215838
Citas grāmatas par šo tēmu:
"Analyzes how contemporary theater and performance works about Korean transnational adoption intervene in longstanding transnational adoption narratives, which have essentialized adoptees through ethnonationalist, gendered, and postwar humanitarian themes. Shows how multiple adoptee-centered works performed in South Korea, the United States, the United Kingdom, Belgium, and Denmark reimagine and remake the adoptee experience"-Provided by publisher"--

Analyzing contemporary theater and performance works about Korean transnational adoption, Jieun Lee’s Unsettling Acts: Performing Transnational Adoption challenges longstanding ideas about adoption. Lee contends that in staging adoptees’ birth family searches and reunions, theater and performance artists unsettle dominant discourses that have essentialized adoptees through ethnonationalist, gendered, and postwar humanitarian narratives in both birth and adoptive cultures. In doing so, Lee reveals how these performances engage in acts of disavowal of and resistance to mythologies of adoption and adoptee experience. Lee examines twelve works—from South Korea, the United States, the United Kingdom, Belgium, and Denmark—including plays, musicals, solo performances, community-based theater, and performance art. Through her analysis, theater and performance become a means for reimagining adoptees’ identity, kinship, and sense of belonging. Further, these pieces encourage critical exploration of the history, politics, and social impacts of Korean transnational adoption. These works thus nurture a countermemory to engender redressive accountability and transpacific justice, pointing a way forward for remaking the transnational adoptee experience in the twenty-first century.



Analyzes how contemporary theater and performance works about Korean transnational adoption intervene in longstanding transnational adoption narratives, reimagining and remaking the adoptee experience.