Acknowledgments |
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ix | |
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1 Advantages and Adverse Effects: How Digital Work Empowers Women Comedians in Trump's America |
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1 | (24) |
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Introduction: Women Comedy Creators |
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1 | (8) |
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9 | (3) |
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Digital Workers' Rights and Power |
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12 | (1) |
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The Benefits of Digital Work |
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13 | (2) |
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Creating New Comedy Forms |
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15 | (2) |
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Capitalizing on Participatory Audiences |
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17 | (1) |
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Digital Work Influencing Critical Reputations |
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18 | (2) |
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Women's Comedy and Reputations after Trump |
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20 | (1) |
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21 | (4) |
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25 | (24) |
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2 Women Comedians' Video Podcasting on YouTube: How Complex Authenticity Cultivates Fans |
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27 | (22) |
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Introduction: Women Comedians' Podcasting |
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27 | (2) |
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Podcasting, Complex Authenticity, and Fans |
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29 | (2) |
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Advising Atheists: The Sarah Silverman Podcast (2020-) |
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31 | (2) |
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Working-Class, Black Authenticity: The Patdown with Ms. Pat (2019-; |
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33 | (3) |
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Post-Television Feminist: Good for You with Whitney Cummings (2019-) |
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36 | (3) |
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Therapeutic Authenticity: Trash Tuesday (2021-) |
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39 | (2) |
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Alt-Right Authenticity: Christina Pazsitzky's Your Mom's House (2010-) |
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41 | (4) |
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45 | (4) |
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49 | (64) |
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3 Women Comedians Trapped on TikTok: The Opportunities and Limitations of Cringey, Intersectional Comedy |
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51 | (19) |
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Introduction: Women Comedians on TikTok |
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51 | (3) |
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TikTok: Technology, Cringe Comedy, and Intersectionality |
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54 | (3) |
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Making a Career from Visceral, Cringe Comedy: Brittany Broski |
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57 | (3) |
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Lauren Godwin: Colorful Skits and Dedicated Fans |
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60 | (3) |
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Sarah Cooper: From Dubbing-Trump Jokes to Late Night TV |
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63 | (4) |
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67 | (3) |
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4 Witty Women on Twitter: Collaborative Reputation Making, Anti-Fandom, and Harnessing the Trolls |
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70 | (19) |
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Introduction: Women Comedians on Twitter |
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70 | (5) |
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Twitter's Collaborative Reputation Making: Engaging with Hate and Judgment |
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75 | (3) |
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Feminine Antagonism and Befriending Trolls: Sarah Silverman |
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78 | (5) |
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Confronting Trolls: Why Leslie Jones Met Jack Dorsey |
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83 | (2) |
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85 | (4) |
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5 Conformity with Comic Subversion: How Women Comedians Shape Their Reputations Using Instagram |
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89 | (24) |
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Introduction: Women Comedians on Instagram |
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89 | (3) |
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Instagram: Ideology, Conformity, and Subversion |
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92 | (3) |
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Mindy Kaling: Inspiring Producer |
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95 | (2) |
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Awkwafina: Subtly Subversive |
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97 | (1) |
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Nikki Glaser: Cautious Femininity |
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98 | (4) |
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Amy Schumer: Glamor and Political Puking |
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102 | (3) |
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Chelsea Handler: Naked Parody |
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105 | (3) |
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108 | (5) |
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PART III Streaming Television |
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113 | (42) |
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6 Women Comedians' Working Practices on YouTube: The Sometimes-Difficult Transition to Television |
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115 | (24) |
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Introduction: Women Comedy Creators on YouTube |
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115 | (3) |
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YouTube: Creative Opportunities and the Difficult Transition in Television |
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118 | (3) |
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Accidental Pioneer: Jenna Marbles (2010-2020) |
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121 | (3) |
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Colleen Ballinger's Miranda Sings (2008-): From YouTube to Netflix and Broadway |
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124 | (4) |
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Lilly Singh: From YouTuber to NBC Talk Show Host |
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128 | (3) |
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Issa Rae's Awkward Black Girl (2011-2013): From YouTube to HBO |
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131 | (3) |
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Ilana Glazer and Abbi Jacobson's Broad City (2009; 2014-2019): From Web Series to Comedy Central |
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134 | (1) |
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135 | (4) |
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7 Netflix's Calculated Risks in Comedy: Unlikely Women's First Stand-up Specials |
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139 | (16) |
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Introduction: Netflix, Risk Abatement, and Women's First Specials |
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139 | (2) |
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Netflix's Comedy-Risk Abatement |
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141 | (2) |
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Instafamous Only: Iliza Shlesinger |
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143 | (1) |
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Avant-garde Comedy-of-Consent: Natalie Palamides |
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144 | (3) |
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Black Poverty Is Real: Ms. Pat |
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147 | (5) |
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152 | (3) |
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155 | (45) |
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8 Trump's War with Women Satirists on Television: How Carnivalesque Comedy Generates Digital Redistribution |
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157 | (18) |
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Introduction: Comedy and Politics |
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157 | (2) |
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The Carnivalesque War: Trump's Performance and Comic Attacks |
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159 | (3) |
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"Beyond the Pale": Michelle Wolf |
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162 | (5) |
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"Horrible Language": Samantha Bee |
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167 | (2) |
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"Immortalized" on Saturday Night Live (NBC, 1975-) |
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169 | (2) |
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171 | (4) |
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9 Participatory Audiences in Trump's Cancel Culture: How Women Comedian-Activists Survive and Earn Prestige |
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175 | (19) |
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Introduction: Comedians and Cancel Culture |
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175 | (3) |
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Amy Schumer: From "Party-Girl" to "Proudly Feminist Comic" |
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178 | (5) |
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Roseanne Barr: From "Domestic Goddess" to "Conservative Star" |
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183 | (4) |
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Kathy Griffin: From Superficiality to "Survivor Incarnate" |
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187 | (2) |
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189 | (5) |
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194 | (6) |
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All Comedy Is Digital Now: Convergence and the Digital Afterlife |
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194 | (2) |
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The Benefits of Digital Work: More Advantages than Adverse Effects |
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196 | (2) |
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The Digital Ceiling: Difficulties Transitioning to Mass Media |
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198 | (2) |
Trump's Unexpected Legacy: "Warrior Women" |
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200 | (3) |
Index |
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203 | |