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Women Comedians in the Digital Age: Media Work and Critical Reputations After Trump [Hardback]

(LIM College, New York City, USA)
  • Formāts: Hardback, 208 pages, height x width: 234x156 mm, weight: 920 g, 21 Tables, black and white
  • Sērija : Routledge Research in Cultural and Media Studies
  • Izdošanas datums: 30-Dec-2022
  • Izdevniecība: Routledge
  • ISBN-10: 1032213426
  • ISBN-13: 9781032213422
  • Hardback
  • Cena: 171,76 €
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  • Bibliotēkām
  • Formāts: Hardback, 208 pages, height x width: 234x156 mm, weight: 920 g, 21 Tables, black and white
  • Sērija : Routledge Research in Cultural and Media Studies
  • Izdošanas datums: 30-Dec-2022
  • Izdevniecība: Routledge
  • ISBN-10: 1032213426
  • ISBN-13: 9781032213422
This book offers a thorough examination of digital work by women comedians in the US, exploring their use of digital media to perform jokes, engage with fans, remake their reputations, and become political activists. This book argues that despite its many adverse effects, digital work is changing comedy, empowering women to create new comic forms and negotiate the contentious political climate incited by former President Donald. J. Trump.

Chapters are focused on video podcasting, TikTok, Twitter, Instagram, YouTube, and the streaming platform Netflix each containing informative case studies on significant women comedians who use them, including Sarah Silverman, Amy Schumer, Leslie Jones, Mindy Kaling, Colleen Ballinger, Lilly Singh, Ms. Pat, Whitney Cummings, Issa Rae, and others. To understand their strategies, this book examines the popularity of their digital content, their career outcomes in television and film, as well as the ups and downs of their critical reputations in magazines, newspapers, the trade press, and with their participatory audiences online.

This insightful and timely work will appeal to scholars researching and teaching in the areas of media studies, digital communication, gender studies, and performance.
Acknowledgments ix
1 Advantages and Adverse Effects: How Digital Work Empowers Women Comedians in Trump's America
1(24)
Introduction: Women Comedy Creators
1(8)
What Is Digital Work?
9(3)
Digital Workers' Rights and Power
12(1)
The Benefits of Digital Work
13(2)
Creating New Comedy Forms
15(2)
Capitalizing on Participatory Audiences
17(1)
Digital Work Influencing Critical Reputations
18(2)
Women's Comedy and Reputations after Trump
20(1)
Conclusion
21(4)
PART I Podcasting
25(24)
2 Women Comedians' Video Podcasting on YouTube: How Complex Authenticity Cultivates Fans
27(22)
Introduction: Women Comedians' Podcasting
27(2)
Podcasting, Complex Authenticity, and Fans
29(2)
Advising Atheists: The Sarah Silverman Podcast (2020-)
31(2)
Working-Class, Black Authenticity: The Patdown with Ms. Pat (2019-;
33(3)
Post-Television Feminist: Good for You with Whitney Cummings (2019-)
36(3)
Therapeutic Authenticity: Trash Tuesday (2021-)
39(2)
Alt-Right Authenticity: Christina Pazsitzky's Your Mom's House (2010-)
41(4)
Conclusion
45(4)
PART II Social Media
49(64)
3 Women Comedians Trapped on TikTok: The Opportunities and Limitations of Cringey, Intersectional Comedy
51(19)
Introduction: Women Comedians on TikTok
51(3)
TikTok: Technology, Cringe Comedy, and Intersectionality
54(3)
Making a Career from Visceral, Cringe Comedy: Brittany Broski
57(3)
Lauren Godwin: Colorful Skits and Dedicated Fans
60(3)
Sarah Cooper: From Dubbing-Trump Jokes to Late Night TV
63(4)
Conclusion
67(3)
4 Witty Women on Twitter: Collaborative Reputation Making, Anti-Fandom, and Harnessing the Trolls
70(19)
Introduction: Women Comedians on Twitter
70(5)
Twitter's Collaborative Reputation Making: Engaging with Hate and Judgment
75(3)
Feminine Antagonism and Befriending Trolls: Sarah Silverman
78(5)
Confronting Trolls: Why Leslie Jones Met Jack Dorsey
83(2)
Conclusion
85(4)
5 Conformity with Comic Subversion: How Women Comedians Shape Their Reputations Using Instagram
89(24)
Introduction: Women Comedians on Instagram
89(3)
Instagram: Ideology, Conformity, and Subversion
92(3)
Mindy Kaling: Inspiring Producer
95(2)
Awkwafina: Subtly Subversive
97(1)
Nikki Glaser: Cautious Femininity
98(4)
Amy Schumer: Glamor and Political Puking
102(3)
Chelsea Handler: Naked Parody
105(3)
Conclusion
108(5)
PART III Streaming Television
113(42)
6 Women Comedians' Working Practices on YouTube: The Sometimes-Difficult Transition to Television
115(24)
Introduction: Women Comedy Creators on YouTube
115(3)
YouTube: Creative Opportunities and the Difficult Transition in Television
118(3)
Accidental Pioneer: Jenna Marbles (2010-2020)
121(3)
Colleen Ballinger's Miranda Sings (2008-): From YouTube to Netflix and Broadway
124(4)
Lilly Singh: From YouTuber to NBC Talk Show Host
128(3)
Issa Rae's Awkward Black Girl (2011-2013): From YouTube to HBO
131(3)
Ilana Glazer and Abbi Jacobson's Broad City (2009; 2014-2019): From Web Series to Comedy Central
134(1)
Conclusion
135(4)
7 Netflix's Calculated Risks in Comedy: Unlikely Women's First Stand-up Specials
139(16)
Introduction: Netflix, Risk Abatement, and Women's First Specials
139(2)
Netflix's Comedy-Risk Abatement
141(2)
Instafamous Only: Iliza Shlesinger
143(1)
Avant-garde Comedy-of-Consent: Natalie Palamides
144(3)
Black Poverty Is Real: Ms. Pat
147(5)
Conclusion
152(3)
PART IV Political Speech
155(45)
8 Trump's War with Women Satirists on Television: How Carnivalesque Comedy Generates Digital Redistribution
157(18)
Introduction: Comedy and Politics
157(2)
The Carnivalesque War: Trump's Performance and Comic Attacks
159(3)
"Beyond the Pale": Michelle Wolf
162(5)
"Horrible Language": Samantha Bee
167(2)
"Immortalized" on Saturday Night Live (NBC, 1975-)
169(2)
Conclusion
171(4)
9 Participatory Audiences in Trump's Cancel Culture: How Women Comedian-Activists Survive and Earn Prestige
175(19)
Introduction: Comedians and Cancel Culture
175(3)
Amy Schumer: From "Party-Girl" to "Proudly Feminist Comic"
178(5)
Roseanne Barr: From "Domestic Goddess" to "Conservative Star"
183(4)
Kathy Griffin: From Superficiality to "Survivor Incarnate"
187(2)
Conclusion
189(5)
10 Conclusions
194(6)
All Comedy Is Digital Now: Convergence and the Digital Afterlife
194(2)
The Benefits of Digital Work: More Advantages than Adverse Effects
196(2)
The Digital Ceiling: Difficulties Transitioning to Mass Media
198(2)
Trump's Unexpected Legacy: "Warrior Women" 200(3)
Index 203
Alex Symons is Associate Professor of Communication and Media Studies at LIM College, New York City.