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New Munsell Student Color Set 4th Revised edition [Loose-leaf]

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  • Formāts: Loose-leaf, 208 pages, height x width: 254x203 mm, weight: 1592 g, 116 colour and 35 bw illus
  • Izdošanas datums: 26-Nov-2015
  • Izdevniecība: Bloomsbury Academic USA
  • ISBN-10: 1501305409
  • ISBN-13: 9781501305405
Citas grāmatas par šo tēmu:
New Munsell Student Color Set 4th Revised editionPalielināt
  • Formāts: Loose-leaf, 208 pages, height x width: 254x203 mm, weight: 1592 g, 116 colour and 35 bw illus
  • Izdošanas datums: 26-Nov-2015
  • Izdevniecība: Bloomsbury Academic USA
  • ISBN-10: 1501305409
  • ISBN-13: 9781501305405
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781501305405.html
Keywords:
Adaptable to both studio and lecture courses and appropriate for all student levels from beginner to advanced, The New Munsell Student Color Set, 4th Edition, is a complete learning package that offers opportunities for experimenting with color effects using paint, paper, and computers. A full-color interactive and experimental guidebook for understanding color in all its dimensions, it includes 11 Munsell color charts, 15 interactive charts, 12 packets of color chips, and a textbook, all designed to facilitate hands-on learning of color's aspects and effects. The text provides a complete study of color use and color science, including extended discussion of visual perception, optical effects, and practical application of color phenomena in fine and applied art practices. This new edition features a revised and updated art program, replacing outdated images and enlarging others for enhanced detail clarity. New coverage includes sections on color trends and color forecasting, expanded content on how to create a color scheme, and updated information on using color in digital design. PLEASE NOTE: Purchasing or renting this ISBN does not include access to the STUDIO resources that accompany this text. To receive free access to the STUDIO content with new copies of this book, please refer to the book + STUDIO access card bundle ISBN 9781501312229. STUDIO Instant Access can also be purchased or rented separately on BloomsburyFashionCentral.com.

Papildus informācija

Introduces color theory and color perception through Munsell color chip exercise and accompanying text.
Preface ix
Acknowledgments xi
Instructions for Assembling the Munsell Hue Charts and the Interactive Charts xii
Part 1 Color Use
1(86)
1 The Vocabulary
3(17)
Key Terms
3(1)
Color Systems
4(1)
Munsell Notation
4(2)
The First Dimension: Hue
6(1)
The Second Dimension: Value
7(1)
The Third Dimension: Chroma
8(1)
The Color Solid
9(1)
Color Gamuts
9(1)
Primary Colors
10(1)
The Munsell System as a Computer Palette
11(9)
Table 1.1 CMYK Percentages for Printing the Basic Ten Munsell Hues
13(1)
Summary
13(1)
Suggested Readings
14(1)
Exercises
14(1)
Supplies Needed for Exercises and Charts
15(1)
Instructions for Assembling the Munsell Hue Value/Chroma Chart
16(1)
Instructions for Assembling the Munsell Color Charts
17(2)
Guidelines for Creating a Munsell Computer Palette
19(1)
2 Color Anomalies, Emotional Response, Symbolism, and Trends
20(24)
Key Terms
20(1)
Warm and Cool Hues
20(1)
Advancing and Receding Colors
21(2)
Practical Use of Advancing and Receding Color
23(1)
Emotional Response, Symbolism, and Trends
24(3)
Color Trends
27(1)
Table 2.1 Hues and Cultural Meaning
27(1)
The Characteristics and Meanings of the Hues and Neutrals
28(12)
Practical Use of Color Symbolism and Color Response Information
40(4)
Summary
40(1)
Suggested Readings
41(1)
Exercises
41(3)
3 Relationships among Colors
44(16)
Key Terms
44(1)
Color Constancy
45(1)
Successive and Simultaneous Contrast
46(4)
Guidelines for Creating Simultaneous Contrast Effects
50(1)
Separated Colors
51(1)
Color Assimilation
52(1)
Intermingling and Color Texture
53(1)
The Transparency Effect and Iridescence
54(6)
Summary
56(1)
Suggested Readings
56(1)
Exercises
57(3)
4 Combining Colors
60(15)
Key Terms
60(1)
Color Harmony
61(1)
Color Balance
62(5)
Color Sequences as Harmonious
67(1)
Munsell Color Paths
67(2)
Color Control
69(2)
Color Combinations and Psychological Associations
71(4)
Summary
72(1)
Suggested Readings
73(1)
Exercises
73(2)
5 Color in Designed Products, Installations, and Printing
75(12)
Key Terms
75(1)
Colorimetry: Instrumental Color Measurement
75(1)
Metamerism: Matching Color
76(1)
Observer Metamerism
77(1)
Comparing Colors by Eye
78(1)
Color and Lighting
78(4)
Light and Color Reflection
82(2)
Computer Color and the Final Product
84(3)
Summary
84(1)
Suggested Readings
85(1)
Exercises
85(2)
Part 2 Color Science
87(41)
6 Science, Color, and Art
89(7)
Key Terms
89(1)
The Renaissance
89(1)
Impressionism and Post-Impressionism
90(2)
The Electronic Age
92(4)
Summary
93(1)
Suggested Readings
94(1)
Exercises
94(2)
7 Light and Color
96(9)
Key Terms
96(1)
The Visible Attributes of Color
96(3)
The Invisible Attributes of Color
99(2)
Glossy and Matte Colors
101(4)
Summary
102(1)
Suggested Readings
103(1)
Exercises
103(2)
8 Vision and Color
105(7)
Key Terms
105(1)
The Physiology of the Eye
105(1)
Color Vision
106(1)
Color Perception
107(1)
Color in the World
108(4)
Summary
110(1)
Suggested Readings
111(1)
Exercises
111(1)
9 Additive Color Mixture: Mixing Light
112(8)
Key Terms
112(1)
Mixture of Light Beams
112(1)
Optical Color Mixture
113(7)
Summary
117(1)
Suggested Readings
118(1)
Exercises
118(2)
10 Subtractive Color Mixture: Mixing Paints
120(8)
Key Terms
120(1)
Simple Subtractive Mixture
120(1)
Complex Subtractive Mixture
121(1)
Colorants for Artists
122(1)
Pigment Names
123(1)
Painters' Palettes
123(1)
Guidelines for Mixing Paints
124(4)
Table 10.1 Pigments for a Painter's Palette of Double Primary Colors
124(2)
Summary
126(1)
Suggested Readings
126(1)
Exercises
127(1)
Glossary 128(7)
References 135
Jim Long is Professor Emeritus at Virginia Commonwealth University, US.