Contributors |
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xiii | |
Preface |
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xv | |
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Evolutionary Neurobiology and Art |
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1 | (1) |
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2 | (1) |
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3 | (1) |
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4 | (1) |
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4 | (2) |
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6 | (2) |
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8 | (2) |
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10 | (2) |
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12 | (5) |
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13 | (4) |
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17 | (2) |
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Medical Societies in London |
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19 | (2) |
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21 | (3) |
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24 | (4) |
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28 | (5) |
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33 | (3) |
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36 | (3) |
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36 | (3) |
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The Neuropsychology of Visual Art: Conferring Capacity |
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39 | (1) |
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Disposition to Produce Art |
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40 | (1) |
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41 | (1) |
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42 | (2) |
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44 | (2) |
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46 | (5) |
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47 | (4) |
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Vision, Illusions, and Reality |
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51 | (1) |
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Functional Specialization in the Visual Brain |
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52 | (1) |
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Face and Object Recognition |
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53 | (1) |
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54 | (1) |
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Localization in the Visual Brain |
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55 | (1) |
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56 | (2) |
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The Painter at the Bedside |
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58 | (2) |
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The Neurologist in the Picture Gallery |
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60 | (2) |
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Commentary: The Three Cultures |
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62 | (7) |
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64 | (5) |
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SECTION II EPISODIC DISORDERS |
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Neurology, Synaesthesia, and Painting |
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69 | (2) |
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Case of the Color-Blind Artist |
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71 | (1) |
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72 | (3) |
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Metaphor and Synaesthesia |
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75 | (4) |
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77 | (2) |
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Fainting in Classical Art |
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79 | (1) |
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80 | (1) |
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80 | (1) |
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81 | (2) |
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83 | (1) |
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84 | (1) |
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85 | (2) |
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87 | (2) |
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87 | (2) |
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Migraine Art in the Internet: A Study of 450 Contemporary Artists |
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89 | (1) |
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90 | (1) |
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91 | (13) |
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104 | (5) |
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106 | (3) |
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Sarah Raphael's Migraine with Aura as Inspiration for the Foray of Her Work into Abstraction |
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109 | (1) |
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Art Critics' Notions on Sarah Raphael's Migraine with Aura |
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110 | (1) |
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110 | (3) |
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Impact of Sarah Raphael's Migraine with Aura on Her Art |
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113 | (3) |
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116 | (3) |
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117 | (2) |
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The Visual Art of Contemporary Artists with Epilepsy |
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119 | (1) |
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Background to the Collection |
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120 | (1) |
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Artistic Themes in the Works of Contemporary Artists with Epilepsy |
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120 | (10) |
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130 | (5) |
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130 | (5) |
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Creativity in Painting and Style in Brain-Damaged Artists |
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135 | (4) |
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Change in Creativity and Style in Artists after Brain Lesion |
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139 | (2) |
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Change of Style in Artists |
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141 | (6) |
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146 | (1) |
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Artistic Changes in Alzheimer's Disease |
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147 | (3) |
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Willem de Kooning (1904--1997) and Other Artists with Alzheimer's Disease |
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150 | (2) |
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William Utermohlen (b. 1933) |
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152 | (4) |
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Positive and Negative Cognitive Phenomena |
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156 | (4) |
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160 | (5) |
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160 | (5) |
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SECTION IV CEREBROVASCULAR DISEASE |
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165 | (1) |
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Case Studies of Painters with Right Hemisphere Stroke |
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166 | (14) |
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Case Studies of Painters with Left Hemisphere Stroke |
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180 | (6) |
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186 | (1) |
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187 | (6) |
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189 | (4) |
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Visuospatial Neglect in Lovis Corinth's Self-Portraits |
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193 | (3) |
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Mature Style--Late Style? |
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196 | (3) |
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199 | (1) |
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199 | (2) |
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201 | (1) |
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201 | (3) |
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204 | (5) |
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209 | (6) |
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212 | (3) |
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Art, Constructional Apraxia, and the Brain |
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215 | (1) |
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215 | (1) |
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What Attributes are Customarily Needed to Make a Painting or Sculpture? |
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216 | (1) |
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The Frontal Lobes and Their Projections |
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217 | (5) |
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The Parietal Lobes and Their Projections |
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222 | (13) |
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232 | (3) |
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SECTION V GENETIC DISEASES |
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235 | (1) |
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How Neurogenetic Disease Affected the Artist's Work? |
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235 | (2) |
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Neurogenetic Disease Depicted in Art |
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237 | (2) |
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239 | (2) |
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239 | (2) |
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A Naive Artist of St Ives |
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241 | (1) |
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241 | (2) |
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243 | (3) |
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246 | (3) |
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249 | (2) |
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251 | (2) |
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252 | (1) |
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253 | (1) |
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254 | (1) |
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255 | (1) |
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256 | (2) |
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258 | (3) |
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What Disorder Did van Gogh Have? |
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261 | (10) |
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268 | (3) |
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Absinthe, The Nervous System and Painting |
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271 | (1) |
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Art as a Reflection of Life |
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272 | (1) |
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Medical Effects of the Absinthe |
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273 | (1) |
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Effect of Absinthe on Artistic Expression |
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274 | (2) |
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276 | (5) |
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278 | (3) |
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SECTION VI NEUROLOGISTS AS ARTISTS |
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Sir Charles Bell, KGH, FRS, FRSE (1774--1842) |
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Christopher Gardner-Thorpe |
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281 | (1) |
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Charles Bell's Early Years |
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282 | (1) |
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282 | (1) |
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Raphael Cartoons Studied by Bell |
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283 | (1) |
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284 | (1) |
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After Corunna in 1809 and Marriage in 1811 |
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284 | (1) |
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Waterloo in 1815 and the Watercolors of 1836 |
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284 | (1) |
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285 | (2) |
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287 | (1) |
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Death at Hallow Park in Worcestershire |
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287 | (1) |
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287 | (6) |
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288 | (5) |
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SECTION VII MISCELLANEOUS |
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293 | (1) |
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293 | (1) |
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294 | (1) |
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294 | (1) |
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Accident and Artist Debut |
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295 | (1) |
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295 | (1) |
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296 | (2) |
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298 | (3) |
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The Deafness of Goya (1746--1828) |
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301 | (5) |
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306 | (1) |
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307 | (1) |
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308 | (1) |
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308 | (4) |
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312 | (5) |
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315 | (2) |
Index |
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317 | (6) |
Contents of Recent Volumes |
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323 | |