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Neurobiology of Painting: International Review of Neurobiology, Volume 74 [Hardback]

Edited by (Emeritus Professor of Pharmacology, Institute of Pharmaceutical Sciences, Kings College London, London, UK), Edited by (University of Texas, USA), Edited by (Louisiana State University Medical Center, School of Medicine, Baton Rouge, U.S.A.), Guest editor
  • Format: Hardback, 360 pages, height x width: 229x152 mm, weight: 790 g
  • Series: International Review of Neurobiology
  • Pub. Date: 19-May-2006
  • Publisher: Academic Press Inc
  • ISBN-10: 0123668751
  • ISBN-13: 9780123668752
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  • Price: 205,75 €*
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  • Format: Hardback, 360 pages, height x width: 229x152 mm, weight: 790 g
  • Series: International Review of Neurobiology
  • Pub. Date: 19-May-2006
  • Publisher: Academic Press Inc
  • ISBN-10: 0123668751
  • ISBN-13: 9780123668752
Other books in subject:
The book presents a basis for the interaction of the brain and nervous system with painting, music and literature, and a discussion of art from multiple facets – such as anatomy, migraine, illusion and evolutionary biology. The book explores several aspects of the neurobiology of painting, including evolutionary neurobiology, sensation vs. perception, the visual brain and how the mind works, and also explores the affects of brain disorders and trauma on artist, with a concluding chapter on Frida Kahlo and the spinal cord injury that influenced her painting.

The book presents a basis for the interaction of the brain and nervous system with painting, music and literature, and a discussion of art from multiple facets - such as anatomy, migraine, illusion and evolutionary biology. The book explores several aspects of the neurobiology of painting, including evolutionary neurobiology, sensation vs. perception, the visual brain and how the mind works, and also explores the affects of brain disorders and trauma on artist, with a concluding chapter on Frida Kahlo and the spinal cord injury that influenced her painting.

Reviews

"This book will be a welcome addition to the libraries of clinical physiologists with an interest in art, art history, biographies of artists, psychology, neurological disorders, and the history of medicine." --Judith Al-Seffar in THE JOURNAL OF ELECTROPHYSIOLOGICAL TECHNOLOGY (Vol 32, No 2, 2006)

More info

A collection of articles exploring the neurobiology of painting.
Contributors xiii
Preface xv
Evolutionary Neurobiology and Art
C. U. M. Smith
Introduction
1(1)
Definitions
2(1)
Play
3(1)
``Shock of the New''
4(1)
Neurophysiology
4(2)
Landscape
6(2)
Mate Selection
8(2)
Parts and Wholes
10(2)
Imagination
12(5)
References
13(4)
SECTION I VISUAL ASPECTS
Perceptual Portraits
Nicholas Wade
Introduction
17(2)
Medical Societies in London
19(2)
Anatomists of the Brain
21(3)
Microscopists
24(4)
Functions of the Brain
28(5)
Dysfunctions of Behavior
33(3)
Conclusions
36(3)
References
36(3)
The Neuropsychology of Visual Art: Conferring Capacity
Anjan Chatterjee
Introduction
39(1)
Disposition to Produce Art
40(1)
Visual Vocabulary
41(1)
Descriptive Accuracy
42(2)
Enhanced Expressivity
44(2)
Conclusions
46(5)
References
47(4)
Vision, Illusions, and Reality
Christopher Kennard
Introduction
51(1)
Functional Specialization in the Visual Brain
52(1)
Face and Object Recognition
53(1)
Recommended Reading
54(1)
Localization in the Visual Brain
George K. York
Introduction
55(1)
A Note on Localization
56(2)
The Painter at the Bedside
58(2)
The Neurologist in the Picture Gallery
60(2)
Commentary: The Three Cultures
62(7)
References
64(5)
SECTION II EPISODIC DISORDERS
Neurology, Synaesthesia, and Painting
Amy Ione
Introduction
69(2)
Case of the Color-Blind Artist
71(1)
Normals and Synaesthesia
72(3)
Metaphor and Synaesthesia
75(4)
References
77(2)
Fainting in Classical Art
Philip Smith
Introduction
79(1)
Blackouts in Paintings
80(1)
Crucifixion Fainting
80(1)
Historical Fainting
81(2)
Genre Fainting
83(1)
Swooning
84(1)
Men Fainting
85(2)
Conclusions
87(2)
References
87(2)
Migraine Art in the Internet: A Study of 450 Contemporary Artists
Klaus Podoll
Introduction
89(1)
Methods
90(1)
Results
91(13)
Discussion
104(5)
References
106(3)
Sarah Raphael's Migraine with Aura as Inspiration for the Foray of Her Work into Abstraction
Klaus Podoll
Debbie Ayles
Introduction
109(1)
Art Critics' Notions on Sarah Raphael's Migraine with Aura
110(1)
History of Illness
110(3)
Impact of Sarah Raphael's Migraine with Aura on Her Art
113(3)
Conclusions
116(3)
References
117(2)
The Visual Art of Contemporary Artists with Epilepsy
Steven C. Schachter
Introduction
119(1)
Background to the Collection
120(1)
Artistic Themes in the Works of Contemporary Artists with Epilepsy
120(10)
Conclusions
130(5)
References
130(5)
SECTION III BRAIN DAMAGE
Creativity in Painting and Style in Brain-Damaged Artists
Julien Bogousslavsky
Introduction
135(4)
Change in Creativity and Style in Artists after Brain Lesion
139(2)
Change of Style in Artists
141(6)
References
146(1)
Artistic Changes in Alzheimer's Disease
Sebastian J. Crutch
Martin N. Rossor
Introduction
147(3)
Willem de Kooning (1904--1997) and Other Artists with Alzheimer's Disease
150(2)
William Utermohlen (b. 1933)
152(4)
Positive and Negative Cognitive Phenomena
156(4)
Conclusions
160(5)
References
160(5)
SECTION IV CEREBROVASCULAR DISEASE
Stroke in Painters
H. Bazner
M. Hennerici
Introduction
165(1)
Case Studies of Painters with Right Hemisphere Stroke
166(14)
Case Studies of Painters with Left Hemisphere Stroke
180(6)
Other Cases
186(1)
Conclusions
187(6)
References
189(4)
Visuospatial Neglect in Lovis Corinth's Self-Portraits
Olaf Blanke
Introduction
193(3)
Mature Style--Late Style?
196(3)
Hospitalization
199(1)
Rehabilitation
199(2)
Self-Portraiture
201(1)
Drawings
201(3)
Paintings
204(5)
Discussions
209(6)
References
212(3)
Art, Constructional Apraxia, and the Brain
Louis Caplan
Introduction
215(1)
Constructional Apraxia
215(1)
What Attributes are Customarily Needed to Make a Painting or Sculpture?
216(1)
The Frontal Lobes and Their Projections
217(5)
The Parietal Lobes and Their Projections
222(13)
References
232(3)
SECTION V GENETIC DISEASES
Neurogenetics in Art
Alan E. H. Emery
Introduction
235(1)
How Neurogenetic Disease Affected the Artist's Work?
235(2)
Neurogenetic Disease Depicted in Art
237(2)
Conclusions
239(2)
References
239(2)
A Naive Artist of St Ives
F. Clifford Rose
Introduction
241(1)
Bryan Pearce
241(2)
His Painting
243(3)
His Sister
246(3)
Phenylketonuria
249(2)
Another Famous Case
251(2)
References
252(1)
Van Gogh's Madness
F. Clifford Rose
Introduction
253(1)
His Art
254(1)
His Illness
255(1)
Ear Amputation
256(2)
His Attacks
258(3)
What Disorder Did van Gogh Have?
261(10)
References
268(3)
Absinthe, The Nervous System and Painting
Tiina Rekand
Introduction
271(1)
Art as a Reflection of Life
272(1)
Medical Effects of the Absinthe
273(1)
Effect of Absinthe on Artistic Expression
274(2)
Conclusions
276(5)
References
278(3)
SECTION VI NEUROLOGISTS AS ARTISTS
Sir Charles Bell, KGH, FRS, FRSE (1774--1842)
Christopher Gardner-Thorpe
Introduction
281(1)
Charles Bell's Early Years
282(1)
David Allan (1774--1796)
282(1)
Raphael Cartoons Studied by Bell
283(1)
Corunna Oils in 1809
284(1)
After Corunna in 1809 and Marriage in 1811
284(1)
Waterloo in 1815 and the Watercolors of 1836
284(1)
After Waterloo
285(2)
Italian Tour in 1840
287(1)
Death at Hallow Park in Worcestershire
287(1)
After Bell
287(6)
References
288(5)
SECTION VII MISCELLANEOUS
Peg Leg Frieda
Espen Dietrichs
Introduction
293(1)
Background
293(1)
Poliomyelitis
294(1)
School
294(1)
Accident and Artist Debut
295(1)
Diego Rivera
295(1)
Suffering and Painting
296(2)
Disease and Creativity
298(3)
The Deafness of Goya (1746--1828)
F. Clifford Rose
Introduction
301(5)
The Duchess of Alba
306(1)
What was Goya's Illness?
307(1)
Differential Diagnosis
308(1)
Vogt-Koyanagi Syndrome
308(4)
Black Paintings
312(5)
References
315(2)
Index 317(6)
Contents of Recent Volumes 323
Professor Peter Jenner is a specialist in preclinical aspects of neurodegenerative diseases, notably Parkinsons disease. He has spent the major part of his career at Kings College London where he was Head of Pharmacology for 14 years before returning to his research roots and subsequently becoming Emeritus Professor of Pharmacology. Peter has expertise in drug metabolism and pharmacokinetics but neuropharmacology based on functional models of neurodegenerative diseases has formed the major focus of his work. Peter holds a BPharm, PhD and DSc degree from the University of London. He has published well over 1000 articles with more than 700 peer reviewed papers. He is a Fellow of the Royal Pharmaceutical Society, the British Pharmacological Society, the Royal Society of Medicine and of Kings College London. Peter was recently honoured with a Doctor Honoris Causa degree from Carol Davila University of Medicine and Pharmacy, Bucharest and made an Honorary Fellow of The British Pharmacological Society for his contribution to research in to movement disorders.

Peter has worked closely with the pharmaceutical industry for many years and acts as an adviser and consultant to both major pharma and biotech companies. He has a wide knowledge of the drug discovery and drug development process and has been involved from molecule synthesis through to drug registration for use in man. Peter was the Founder, Director and Chief Scientific Officer of Proximagen, a biotech focussed on the treatment and cure of neurodegenerative diseases that was listed on AIMs and subsequently purchased by a US based healthcare company. He is a regular speaker at international meetings and also takes time to speak at Parkinsons disease patient-carer groups across the UK.